000 | 03256cam a2200457 i 4500 | ||
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005 | 20211102181922.0 | ||
008 | 110607s2004 enka b 001 0 eng d | ||
010 | _a 2004271181 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a1860647715 _qhardback |
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020 |
_a9781860647710 _qhardback |
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020 |
_a1860647723 _qpbk. |
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020 |
_a9781860647727 _qpbk. |
||
035 | _a(ATU)b12090086 | ||
035 | _a(OCoLC)52231651 | ||
040 |
_aUKM _beng _erda _cUKM _dDLC _dC#P _dVVC _dBAKER _dVRC _dBTCTA _dYDXCP _dCRU _dGEBAY _dOCLCQ _dATU |
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042 | _alccopycat | ||
050 | 0 | 0 |
_aND195 _b.U54 2004 |
050 | 4 |
_aN8354 _b.U64 2004 |
|
082 | 0 | 4 |
_a759.06082 _222 |
245 | 0 | 0 |
_aUnframed : _bpractices and politics of women's contemporary painting / _cedited by Rosemary Betterton. |
264 | 1 |
_aLondon ; _aNew York : _bI.B. Tauris, _c2004. |
|
300 |
_ax, 228 pages : _billustrations ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
504 | _aIncludes bibliographical references (pages 213-220) and index. | ||
505 | 0 | _aUnframing women's painting / Rosemary Betterton -- 'Before her time?' Lily Briscoe and painting now / Alison Rowley -- Painting is not a representational practice / Barb Bolt -- Walking with Judy Watson: painting, politics and intercorporeality / Marsha Meskimmon -- Susan Hiller's painted work: bodies, aesthetics and feminism / Rosemary Betterton -- The self-portrait and the I/eye / Partou -- Threads: dialogues with Jo Bruton, Beth Harland, Nicky May and Katie Pratt / Rosa Lee -- Seeing and feeling / Rebecca Fortnum -- Restretching the canvas / Pam Skelton -- Inside the invisible: painting histories / Lubaina Himid -- Revisiting Ann Harburz: inside community, outside convention / Joan Borsa. | |
520 | _a"Women's painting is undergoing a vibrant revival, yet has been little explored in writing on modern visual culture. Unframed is a welcome and fresh examination of women's contemporary painting. The book uniquely presents new writing by practitioners who engage with theory and critical theorists who deal directly with contemporary practice. All contributors reflect on their own practice and that of other women painters and theorists; throughout their common aim is to develop innovative ways of thinking about and through painting by women. The book focuses on current debates on gender, subjectivity, spectatorship and painting and successfully moves them forward in the new millennium. It will appeal to a range of readers, including scholars, students, artists and gallery goers."--Publisher description. | ||
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aWomen painters _9325991 |
|
650 | 0 |
_aPainting, Modern _y20th century. _9321859 |
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650 | 0 |
_aPainting, Modern _y21st century _9338845 |
|
650 | 0 |
_aFeminism and art. _9317809 |
|
700 | 1 |
_aBetterton, Rosemary, _eeditor. |
|
856 | 4 | 2 |
_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/bios/hol053/2004271181.html |
907 |
_a.b12090086 _b10-06-19 _c27-10-15 |
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998 |
_a(2)b _a(2)c _b20-03-18 _cm _da _feng _genk _h0 |
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945 |
_a759.06082 UNF _g1 _iA415308B _j0 _lcmain _o- _p$29.89 _q- _r- _s- _t0 _u8 _v5 _w0 _x3 _y.i13148771 _z29-10-15 |
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942 | _cB | ||
999 |
_c1224409 _d1224409 |