| 000 | 05507cam a2200445 i 4500 | ||
|---|---|---|---|
| 005 | 20221102155417.0 | ||
| 008 | 110411s2011 nz a b 001 0 eng d | ||
| 011 | _aBIB MATCHES WORLDCAT | ||
| 020 |
_a1442516321 _qpbk. |
||
| 020 |
_a9781442516328 _qpbk. |
||
| 035 | _a(ATU)b11923222 | ||
| 035 | _a(OCoLC)722930563 | ||
| 040 |
_aNZNB _beng _erda _cUV0 _dOCoLC _dNZNB _dATU |
||
| 043 | _au-nz--- | ||
| 082 | 0 | 4 |
_a780.993 _222 |
| 245 | 0 | 0 |
_aHome, land and sea : _bsituating music in Aotearoa New Zealand / _c[edited by] Glenda Keam and Tony Mitchell. |
| 264 | 1 |
_aNorth Shore, N.Z. : _bPearson, _c[2011] |
|
| 264 | 4 | _c©2011 | |
| 300 |
_axxviii, 292 pages : _billustrations ; _c24 cm |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 500 | _a"The first comprehensive academic study incorporating contemporary popular, experimental and art music practices in New Zealand"--Back cover. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aMachine-generated contents note: Acknowledgements -- About the contributors -- Introduction - New Zealand music and a poetics of place - Glenda Keam and Tony Mitchell -- Part 1 - Taonga Puoro, Pasifikan descendants and reggae -- Chapter 1 - Kaupapa and whakapapa in contemporary Mäori music - Tony Mitchell and Tama Waipara -- Chapter 2 - Pasifika R & B divas: gender, culture and identity in Pacific pop music - Kirsten Zemke and Su'eina Sharon Televave -- Chapter 3 - And the winner is ... identity, power and change in the New Zealand Pacific Music Awards - Sara-Jane Elika -- Chapter 4 - 'Oh, reggae but different!' The localisation of roots reggae in Aotearoa - Jennifer Cattermole -- Part 2 - Music and New Zealand cultural identities -- Chapter 5 - 'Welcome home': Music, rugby and place - Sally Bodkin-Allen -- Chapter 6 - Migrant music and cultural identity - Dan Bendrups and Henry Johnson -- Chapter 7 - How many FOBS you know 'flow' like this? Parody, popular music and articulation of 'Asian' Belonging - Sarina Pearson -- Chapter 8 - New Zealand hip hop stands up - Kirsten Zemke -- Part 3 - Place Studies I: Auckland and Wellington -- Chapter 9 - Songlines and timelines through Auckland: music in the 'Queen City' - Tony Mitchell -- Chapter 10 - 'Sounds like home': TrinityRoots and jazz-dub reggae in Wellington - Norman Meehan -- Chapter 11 - 'DIY or DIT!' Tales of making music in a creative capital - Geoff Stahl -- Chapter 12 - Performing identity and place in Wellington's Cuba Street Carnival - Shelley D. Brunt -- Part 4 - Place Studies II: Christchurch and Dunedin -- Chapter 13 - Flat city sounds redux: a musical 'countercartography' of Christchurch - Tony Mitchell -- Chapter 14 - Success story: scenes from the South Island - Jon Dale -- Chapter 15 - The shifting spaces and practices of dance music DJs in Dunedin - Chris Gibson and Andrew McGregor -- Part 5 - Art music, landscapes of listening and experimental soundscapes -- Chapter 16 - Attachments to place: locative aspects of New Zealand art music - Glenda Keam - Chapter 17 - Centripetal, centrifugal: electroacoustic music - Dugal McKinnon - Chapter 18 - Sonic invention: experimental sound-making - Andrew Clifford, in consultation with Philip Dadson -- Chapter 19 - Lines of Flight: 'the most perfectly autonomous sector of the field of cultural production' - Bruce Russell -- Afterword - Don McGlashan | |
| 520 | _a"Presents twenty different viewpoints on music in Aotearoa/New Zealand. A selection of experts examine the vast range of music production in this country and relate it to what it might say about our homeland, our diverse population, our landscape and our identities. The collection surveys traditional and popular music created by Maori and Pacific Islanders, distinctively Polynesian brands of reggae and hip hop, the music of migrants from such areas as Latin America, China, Japan and Greece, the electronic and instrumental music traditions made more local by Douglas Lilburn, the internationally recognised 'Dunedin sound' of the Flying Nun label, and the eccentric electroacoustic of 'outsider' musicians, revealing an ever-increasing diversity of music in New Zealand. Home, Land and Sea is the first comprehensive academic study incorporating contemporary popular, experimental and art music practices in New Zealand. Written for a tertiary audience it will be of relevance to scholars of a variety of disciplines including music; media and communications; cultural studies; sociology; anthropology and geography"--Back cover. | ||
| 588 | _aMachine converted from AACR2 source record. | ||
| 650 | 0 |
_aMusic _zNew Zealand _xHistory and criticism _9595599 |
|
| 650 | 0 |
_aNational music _zNew Zealand _xHistory and criticism _9674277 |
|
| 650 | 0 |
_aPopular music _zNew Zealand _xHistory and criticism _9664110 |
|
| 650 | 0 |
_aMusic _xSocial aspects _zNew Zealand _9586250 |
|
| 650 | 7 |
_aKaiwhakatangi _2reo _9368721 |
|
| 700 | 1 |
_aKeam, Glenda, _eeditor. _91085599 |
|
| 700 | 1 |
_aMitchell, Tony, _d1949- _eeditor. _9416612 |
|
| 907 |
_a.b11923222 _b10-03-20 _c27-10-15 |
||
| 942 | _cB | ||
| 945 |
_a780.993 HOM _g1 _iA492249B _j0 _lcmain _n27/3/17 DA Main collection item has the z item code 2 to stop this being requested by BONUS+ patrons _oz _p$63.67 _q- _r- _s- _t0 _u17 _v1 _w1 _x3 _y.i13128322 _z29-10-15 |
||
| 945 |
_a780.993 HOM _g1 _iA490867B _j0 _lcmain _o- _p$52.17 _q- _r- _s- _t0 _u3 _v18 _w0 _x2 _y.i13129946 _z29-10-15 |
||
| 998 |
_ab _ac _b06-04-16 _cm _da _feng _gnz _h0 |
||
| 999 |
_c1220731 _d1220731 |
||