000			02041cam a2200385 i 4500
005			20211103124826.0
008			101215s2010 inua b s001 0 eng d
010			_a 2010017294
011			_aBIB MATCHES WORLDCAT
020			_a0253355567 _qcloth (alk. paper)
020			_a9780253355560 _qcloth (alk. paper)
020			_a0253222605 _qpbk. (alk. paper)
020			_a9780253222602 _qpbk. (alk. paper)
035			_a(ATU)b11868880
035			_a(OCoLC)609872186
040			_aDLC _beng _erda _cDLC _dYDX _dYDXCP _dUKM _dOLC _dCDX _dATU
050	0	0	_aPN1995.9.D6 _bN539 2010
082	0	0	_a070.18 _222
100	1		_aNichols, Bill, _d1942- _eauthor. _9229660
245	1	0	_aIntroduction to documentary / _cBill Nichols.
250			_aSecond edition.
264		1	_aBloomington : _bIndiana University Press, _c2010.
300			_axviii, 341 pages : _billustrations ; _c23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentary films a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentaries? categories, models, and the expository and poetic modes of documentary film -- How can we describe the observational, participatory, reflexive, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary?
588			_aMachine converted from AACR2 source record.
650		0	_aDocumentary films _xHistory and criticism _9371494
907			_a.b11868880 _b22-08-17 _c27-10-15
998			_ab _a(2)c _b06-04-16 _cm _da _feng _ginu _h0
945			_a070.18 NIC _g1 _iA504180B _j0 _lcmain _o- _p$34.23 _q- _r- _s- _t0 _u55 _v1 _w3 _x7 _y.i13090343 _z29-10-15
942			_cB
999			_c1217493 _d1217493