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005 20211103125347.0
008 101207s2010 enk b 001 0 eng d
010 _a 2009039833
011 _aBIB MATCHES WORLDCAT
020 _a0262513919
_qMIT Press (pbk.) (alk. paper))
020 _a9780262513913
_qMIT Press (pbk.) (alk. paper))
020 _a0854881786
_qWhitechapel Gallery (pbk.)
020 _a9780854881789
_qWhitechapel Gallery (pbk.)
035 _a(ATU)b11868302
035 _a(OCoLC)440563020
040 _aDLC
_beng
_erda
_cDLC
_dUKM
_dERASA
_dC#P
_dYDXCP
_dBWX
_dCDX
_dDGN
_dATU
050 0 0 _aN6490
_b.S88415 2010
082 0 0 _a701
_222
245 0 4 _aThe sublime /
_cedited by Simon Morley.
264 1 _aLondon :
_bWhitechapel Gallery ;
_aCambridge, Mass. :
_bMIT Press,
_c2010.
300 _a237 pages ;
_c21 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aDocuments of contemporary art
504 _aIncludes bibliographical references (pages 229-232) and index.
505 0 _aThe unpresentable -- Transcendence -- Nature -- Technology -- Terror -- The uncanny -- Altered states.
520 _a"In a world where technology, spectacle and excess seem to eclipse former concepts of nature, the individual and society ... the notion that the sublime represents a taking to the limits, to the point at which fixities begin to fragment ... examines how the ideas of the sublime are explored in the work of contemporary artists and theorists, in relation to the unpresentable, transcendence, terror, nature, technology, the uncanny and altered states." --back cover.
588 _aMachine converted from AACR2 source record.
650 0 _aArt, Modern
_y20th century.
_9314052
650 0 _aArt, Modern
_y21st century
_9329156
650 0 _aSublime, The, in art
_9373702
650 0 _aArt and society
_xHistory
_y20th century
_9370886
650 0 _aArt and society
_xHistory
_y21st century.
700 1 _aMorley, Simon,
_d1958-
_eeditor.
_9393257
830 0 _aDocuments of contemporary art series.
_9250194
907 _a.b11868302
_b12-10-17
_c27-10-15
998 _ab
_ac
_b06-04-16
_cm
_da
_feng
_genk
_h4
945 _a701 SUB
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999 _c1217439
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