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005 | 20221110014653.0 | ||
008 | 100530s2007 enk b 001 0 eng d | ||
010 | _a 2008276473 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0719076897 _qhbk. |
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020 |
_a9780719076893 _qhbk. |
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035 | _a(ATU)b11706235 | ||
035 | _a(OCoLC)187290108 | ||
040 |
_aUKM _beng _erda _cUKM _dDLC _dSUC _dBTCTA _dYDXCP _dBAKER _dBWX _dVVC _dHEBIS _dATU |
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043 |
_ae-uk--- _an-us--- |
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050 | 0 | 0 |
_aPN1995.9.D6 _bA945 2007 |
082 | 0 | 0 |
_a070.18 _222 |
100 | 1 |
_aAustin, Thomas, _d1966- _eauthor. _9390873 |
|
245 | 1 | 0 |
_aWatching the world : _bscreen documentary and audiences / _cThomas Austin. |
264 | 1 |
_aManchester ; _aNew York : _bManchester University Press, _c2007. |
|
300 |
_a217 pages ; _c23 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 205-213) and index. | ||
505 | 0 | 0 |
_g1. _tContinuity and change: the documentary 'boom' -- _g2. _tSeeing, feeling, knowing: Etre et avoir -- _g3. _t'Suspense, fright, emotion, happy ending': documentary form and audience response to Touching the Void -- _g4. _t'The most confusing tears': home video, sex crime and indeterminacy in Capturing the Friedmans -- _g5. _tApproaching the invisible centre: middle-class identity and documentary film -- _g6. _t'Our planet reveals its secrets': wildlife documentaries on television -- _g7. _tConclusion: documentary world views. |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aDocumentary films _zGreat Britain _xHistory and criticism _9673749 |
|
650 | 0 |
_aDocumentary films _zUnited States _xHistory and criticism _9674139 |
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650 | 0 |
_aDocumentary television programs _zGreat Britain _xHistory and criticism _9674234 |
|
650 | 0 |
_aDocumentary television programs _zUnited States _xHistory and criticism _9673936 |
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942 | _cB | ||
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