000			03817cam a2200529 i 4500
005			20221101225351.0
008			090224s2009 nyua b 001 0 eng d
010			_a 2009006086
011			_aMARC Score : 11350(26400) : OK
011			_aDirect Search Result
011			_aBIB MATCHES WORLDCAT
020			_a1568988613 _qalk. paper
020			_a9781568988610 _qalk. paper
035			_a(ATU)b11689286
035			_a(OCoLC)311309983
040			_aDLC _beng _erda _cDLC _dYDX _dBTCTA _dYDXCP _dGZM _dIQU _dYAM _dVP@ _dILU _dBDX _dOCLCF _dATU
050	0	0	_aTR620 _b.B37 2009
082	0	0	_a779.32 _222
100	1		_aBarnes, Richard, _d1953- _eauthor. _9448632
245	1	0	_aAnimal logic / _cRichard Barnes ; with contributions by Susan Yelavich, Jonathan Rosen, Mark Strand.
250			_aFirst edition.
264		1	_aNew York : _bPrinceton Architectural Press, _c[2009]
264		4	_c©2009
300			_a1 volume (unpaged) : _bchiefly illustrations (some colour) ; _c29 x 31 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aContainer -- Diorama -- Skull -- Refuge -- Murmur.
520	1		_a"A buffalo stands horns to head with a man who is calmly vacuuming the snow-covered plains beneath its feet. A herd of plastic-wrapped zebras surrounds a giraffe, while a man on scaffolding above paints them a lovely trompe l'oeil sky. Photographer Richard Barnes has spent more than ten years documenting the way we assemble, contain, and catalog the natural world. Barnes's behind-the-scenes photographs are haunting reminders that there is nothing natural about a natural history museum.".
520	8		_a"Animal Logic, Barnes's first monograph, collects four related species of his photographic work that touch on themes relevant to science, history, archaeology, and architecture. Through his lens sights and objects normally hidden from public view - half-installed dioramas, partially wrapped specimens, anatomical models, exploded skulls, and taxidermied animals in shipping crates - take on a strange beauty. Barnes peels back layers of artifice to reveal the tangle of artistry, craftsmanship, and curatorial decisions inside every lifelike diorama and meticulously arranged glass case. Animal Logic investigates both the human desire to construct artificial worlds for "the wild" and the haunting and poignant worlds the real wild constructs.
520	8		_aBarnes's camera freezes migrating starlings to reveal the visual poetry hidden inside their dense formations. His extraordinary photographs of birds' nests constructed from detritus - string, plastic, milkweed, tinsel, hair, dental floss, pine needles - sculpturally embody our often complicated relationship with nature." "Animal Logic presents more than 120 of Barnes's photographs and features texts by Jonathan Rosen of the New York Times and curator Susan Yelavich, which explore the themes that emerge from Barnes's unique body of work."--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
650		0	_aPhotography of interiors _9322237
650		0	_aNatural history museums _vPictorial works _9761683
650		0	_aType specimens (Natural history) _vPictorial works _9761689
650		0	_aAnimals _vPictorial works. _9313776
650		0	_aPhotography, Artistic. _9351696
700	1		_aYelavich, Susan. _91031458
700	1		_aRosen, Jonathan. _9306580
700	1		_aStrand, Mark, _d1934-2014 _9448634
907			_a.b11689286 _b22-08-17 _c27-10-15
942			_cB
945			_a779.32 BAR _g1 _iA451393B _j0 _lcmain _o- _p$90.46 _q- _r- _s- _t0 _u1 _v0 _w0 _x0 _y.i13010451 _z29-10-15
998			_ab _ac _b06-04-16 _cm _da _feng _gnyu _h0
999			_c1207741 _d1207741