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_a0826416144 _qhardcover (alk. paper) |
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_a9780826416148 _qhardcover (alk. paper) |
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_a0826416152 _qpbk. (alk. paper) |
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_a9780826416155 _qpbk. (alk. paper) |
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035 | _a(ATU)b11672377 | ||
035 | _a(OCoLC)55008292 | ||
040 |
_aDLC _beng _erda _cDLC _dIUL _dOCLCQ _dBAKER _dNLGGC _dUBA _dBTCTA _dLVB _dYDXCP _dUQ1 _dOCLCG _dIG# _dKAAUA _dATU |
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_aML197 _b.A85 2004 |
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_a780.904 _222 |
245 | 0 | 0 |
_aAudio culture : _breadings in modern music / _cedited by Christoph Cox and Daniel Warner. |
264 | 1 |
_aNew York : _bContinuum, _c2004. |
|
300 |
_axvii, 454 pages ; _c23 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 419-425) and index. | ||
504 | _aIncludes discography. | ||
505 | 0 | 0 |
_tAcknowledgments -- _tSources and Permissions -- _tIntroduction: Music and the New Audio Culture -- _gPart 1. _tTheories -- _gI. _tMusic and Its Others: Noise, Sound, Silence -- _tIntroduction -- _g1. _t"Noise and Politics" -- _g2. _t"The Art of Noises: Futurist Manifesto" -- _g3. _t"Sound, Noise, Varese, Boulez" -- _g4. _t"The Liberation of Sound" -- _g5. _t"The Joys of Noise" -- _g6. _t"The Future of Music: Credo" -- _g7. _t"The Music of the Environment" -- _g8. _t"Listening for Silence: Notes on the Aural Life" -- _g9. _t"Rough Music, Futurism, and Postpunk Industrial Noise Bands" -- _g10. _t"Noise" -- _g11. _t"The Beauty of Noise: An Interview with Masami Akita of Merzbow" -- _gII. _tModes of Listening -- _tIntroduction -- _g12. _t"Visual and Acoustic Space" -- _g13. _t"The Politics of Hearing" -- _g14. _t"Acousmatics" -- _g15. _t"Profound Listening and Environmental Sound Matter" -- _g16. _t"Adequate Modes of Listening" -- _g17. _t"Ambient Music" -- _g18. _t"The Aural Walk" -- _g19. _t"Some Sound Observations" -- _g20. _t"Compose Yourself" -- _gIII. _tMusic in the Age of Electronic (Re)production -- _tIntroduction -- _g21. _t"The Prospects of Recording" -- _g22. _t"The Studio as Compositional Tool" -- _g23. _t"Bettered by the Borrower: The Ethics of Musical Debt" -- _g24. _t"Plunderphonia" -- _g25. _t"Operating System for the Redesign of Sonic Reality" -- _gPart 2. _tPractices -- _gIV. _tThe Open Work -- _tIntroduction -- _g26. _t"The Poetics of the Open Work" -- _g27. _t"Composition as Process: Indeterminacy" -- _g28. _t"Visual Sounds: On Graphic Scores" -- _g29. _t"Transformations and Developments of a Radical Aesthetic" -- _g30. _t"The Game Pieces" -- _g31. _t"Introduction to Catalog of Works" -- _gV. _tExperimental Musics -- _tIntroduction -- _g32. _t"Towards (a Definition of) Experimental Music" -- _g33. _t"Introduction to Themes & Variations" -- _g34. _t"Generating and Organizing Variety in the Arts" -- _g35. _t"A Scratch Orchestra: Draft Constitution" -- _g36. _t"The Generation Game: Experimental Music and Digital Culture" -- _gVI. _tImprovised Musics -- _tIntroduction -- _g37. _t"Change of the Century" -- _g38. _t"Free Improvisation" -- _g39. _t"Little Bangs: A Nihilist Theory of Improvisation" -- _g40. _t"Improvised Music After 1950: Afrological and Eurological Perspectives" -- _gVII. _tMinimalisms -- _tIntroduction -- _g41. _t"Rap, Minimalism, and Structures of Time in Late Twentieth-Century Culture" -- _g42. _t"Thankless Attempts at a Definition of Minimalism" -- _g43. _t"Music as a Gradual Process" -- _g44. _t"Basic Concepts of Minimal Music" -- _g45. _t"LYssophobia: On Four Violins" -- _g46. _t"Digital Discipline: Minimalism in House and Techno" -- _gVIII. _tDJ Culture -- _tIntroduction -- _g47. _t"Production-Reproduction: Potentialities of the Phonograph" -- _g48. _t"The Invisible Generation" -- _g49. _t"Record, CD, Analog, Digital" -- _g50. _t"Algorithms: Erasures and the Art of Memory" -- _g51. _t"Replicant: On Dub" -- _g52. _t"Post-Rock" -- _gIX. _tElectronic Music and Electronica -- _tIntroduction -- _g53. _t"Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center" -- _g54. _t"Electronic and Instrumental Music" -- _g55. _t"Stockhausen vs. the 'Technocrats'" -- _g56. _t"Breakthrough Beats: Rhythm and the Aesthetics of Contemporary Electronic Music" -- _g57. _t"The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music" -- _tChronology -- _tGlossary -- _tSelected Discography -- _tSelected Bibliography -- _tNotes for Quotations -- _tIndex. |
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_aMusic _y20th century _xHistory and criticism _9775717 |
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_aMusic _y21st century _xHistory and criticism _9775935 |
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700 | 1 |
_aCox, Christoph, _d1965- _eeditor. _9264919 |
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700 | 1 |
_aWarner, Daniel, _d1954- _eeditor. _9448387 |
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