000 05084cam a22004214i 4500
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008 010101s2004 nyu bk 001 0 eng d
010 _a 2004009124
011 _aBIB MATCHES WORLDCAT
020 _a0826416144
_qhardcover (alk. paper)
020 _a9780826416148
_qhardcover (alk. paper)
020 _a0826416152
_qpbk. (alk. paper)
020 _a9780826416155
_qpbk. (alk. paper)
035 _a(ATU)b11672377
035 _a(OCoLC)55008292
040 _aDLC
_beng
_erda
_cDLC
_dIUL
_dOCLCQ
_dBAKER
_dNLGGC
_dUBA
_dBTCTA
_dLVB
_dYDXCP
_dUQ1
_dOCLCG
_dIG#
_dKAAUA
_dATU
042 _apcc
050 0 0 _aML197
_b.A85 2004
082 0 0 _a780.904
_222
245 0 0 _aAudio culture :
_breadings in modern music /
_cedited by Christoph Cox and Daniel Warner.
264 1 _aNew York :
_bContinuum,
_c2004.
300 _axvii, 454 pages ;
_c23 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references (pages 419-425) and index.
504 _aIncludes discography.
505 0 0 _tAcknowledgments --
_tSources and Permissions --
_tIntroduction: Music and the New Audio Culture --
_gPart 1.
_tTheories --
_gI.
_tMusic and Its Others: Noise, Sound, Silence --
_tIntroduction --
_g1.
_t"Noise and Politics" --
_g2.
_t"The Art of Noises: Futurist Manifesto" --
_g3.
_t"Sound, Noise, Varese, Boulez" --
_g4.
_t"The Liberation of Sound" --
_g5.
_t"The Joys of Noise" --
_g6.
_t"The Future of Music: Credo" --
_g7.
_t"The Music of the Environment" --
_g8.
_t"Listening for Silence: Notes on the Aural Life" --
_g9.
_t"Rough Music, Futurism, and Postpunk Industrial Noise Bands" --
_g10.
_t"Noise" --
_g11.
_t"The Beauty of Noise: An Interview with Masami Akita of Merzbow" --
_gII.
_tModes of Listening --
_tIntroduction --
_g12.
_t"Visual and Acoustic Space" --
_g13.
_t"The Politics of Hearing" --
_g14.
_t"Acousmatics" --
_g15.
_t"Profound Listening and Environmental Sound Matter" --
_g16.
_t"Adequate Modes of Listening" --
_g17.
_t"Ambient Music" --
_g18.
_t"The Aural Walk" --
_g19.
_t"Some Sound Observations" --
_g20.
_t"Compose Yourself" --
_gIII.
_tMusic in the Age of Electronic (Re)production --
_tIntroduction --
_g21.
_t"The Prospects of Recording" --
_g22.
_t"The Studio as Compositional Tool" --
_g23.
_t"Bettered by the Borrower: The Ethics of Musical Debt" --
_g24.
_t"Plunderphonia" --
_g25.
_t"Operating System for the Redesign of Sonic Reality" --
_gPart 2.
_tPractices --
_gIV.
_tThe Open Work --
_tIntroduction --
_g26.
_t"The Poetics of the Open Work" --
_g27.
_t"Composition as Process: Indeterminacy" --
_g28.
_t"Visual Sounds: On Graphic Scores" --
_g29.
_t"Transformations and Developments of a Radical Aesthetic" --
_g30.
_t"The Game Pieces" --
_g31.
_t"Introduction to Catalog of Works" --
_gV.
_tExperimental Musics --
_tIntroduction --
_g32.
_t"Towards (a Definition of) Experimental Music" --
_g33.
_t"Introduction to Themes & Variations" --
_g34.
_t"Generating and Organizing Variety in the Arts" --
_g35.
_t"A Scratch Orchestra: Draft Constitution" --
_g36.
_t"The Generation Game: Experimental Music and Digital Culture" --
_gVI.
_tImprovised Musics --
_tIntroduction --
_g37.
_t"Change of the Century" --
_g38.
_t"Free Improvisation" --
_g39.
_t"Little Bangs: A Nihilist Theory of Improvisation" --
_g40.
_t"Improvised Music After 1950: Afrological and Eurological Perspectives" --
_gVII.
_tMinimalisms --
_tIntroduction --
_g41.
_t"Rap, Minimalism, and Structures of Time in Late Twentieth-Century Culture" --
_g42.
_t"Thankless Attempts at a Definition of Minimalism" --
_g43.
_t"Music as a Gradual Process" --
_g44.
_t"Basic Concepts of Minimal Music" --
_g45.
_t"LYssophobia: On Four Violins" --
_g46.
_t"Digital Discipline: Minimalism in House and Techno" --
_gVIII.
_tDJ Culture --
_tIntroduction --
_g47.
_t"Production-Reproduction: Potentialities of the Phonograph" --
_g48.
_t"The Invisible Generation" --
_g49.
_t"Record, CD, Analog, Digital" --
_g50.
_t"Algorithms: Erasures and the Art of Memory" --
_g51.
_t"Replicant: On Dub" --
_g52.
_t"Post-Rock" --
_gIX.
_tElectronic Music and Electronica --
_tIntroduction --
_g53.
_t"Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center" --
_g54.
_t"Electronic and Instrumental Music" --
_g55.
_t"Stockhausen vs. the 'Technocrats'" --
_g56.
_t"Breakthrough Beats: Rhythm and the Aesthetics of Contemporary Electronic Music" --
_g57.
_t"The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music" --
_tChronology --
_tGlossary --
_tSelected Discography --
_tSelected Bibliography --
_tNotes for Quotations --
_tIndex.
588 _aMachine converted from AACR2 source record.
650 0 _aMusic
_y20th century
_xHistory and criticism
_9775717
650 0 _aMusic
_y21st century
_xHistory and criticism
_9775935
700 1 _aCox, Christoph,
_d1965-
_eeditor.
_9264919
700 1 _aWarner, Daniel,
_d1954-
_eeditor.
_9448387
907 _a.b11672377
_b01-08-19
_c27-10-15
998 _ab
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