000 03166cam a2200445 i 4500
005 20211129153224.0
008 091006s2009 enka b 001 0 eng d
010 _a 2008050034
011 _aBIB MATCHES WORLDCAT
020 _a0195386698
_qalk. paper
020 _a9780195386691
_qalk. paper
020 _a0195386701
_qalk. paper
020 _a9780195386707
_qalk. paper
035 _a(OCoLC)276514930
040 _aDLC
_beng
_erda
_cDLC
_dBTCTA
_dYDXCP
_dC#P
_dVVC
_dCDX
_dTTS
_dATU
050 0 0 _aGV1588.6
_b.W5 2009
082 0 0 _a792.8081
_222
245 0 0 _aWhen men dance :
_bchoreographing masculinities across borders /
_cedited by Jennifer Fisher, Anthony Shay.
264 1 _aOxford ;
_aNew York :
_bOxford University Press,
_c2009.
300 _ax, 422 pages :
_billustrations ;
_c25 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 0 _gPart I.
_tIssues in the Pink and Blue West --
_g1.
_tMaverick Men in Ballet: Rethinking the "Making it Macho" Strategy /
_rJennifer Fisher --
_g2.
_tWhat We Know About Boys Who Dance: The Limitations of Contemporary Masculinity and Dance Education /
_rDoug Risner --
_g3.
_tIs Dance a Man's Sport Too? The Performance of Athletic-Coded Masculinity on the Concert Dance Stage /
_rMaura Keefe --
_g4.
_tTranscending Gender in Ballet's LINES /
_rJill Nunes Jensen --
_g5.
_tThe Performance of Unmarked Masculinity /
_rRamsay Burt --
_gPart II.
_tHistorical Perspectives --
_g6.
_tPricked Dances: The Spectator, Dance, and Masculinity in Early 18th Century England /
_r7. Gender Trumps Race? Cross-dressing in Early Blackface Minstrelsy --
_g8.
_tAusdruckstanz, Worker's Culture and Masculinity in Germany in the 1920s and 1930s /
_rYvonne Hardt --
_gPart III.
_tLegacies of Colonialism --
_g9.
_tInvented Hypermasculinity: Colonial Influences on Dance Styles in Egypt, Iran, and Uzbekistan /
_rAnthony Shay Jamal --
_g10.
_tNative Motion and Imperial Emotion: Male Performers of the 'Orient' and the Politics of the Imperial Gaze /
_rStavros Stavrou Karayann --
_g11.
_tIbrahim Farrah: Dancer, Teacher, Choreographer, Publisher /
_rBarbara Sellers-Young --
_g12.
_tFrom Gynemimesis to Hyper-Masculinity: The Shifting Orientations of Male Performers of South Indian Court Dance /
_rHari Krishnan, Naatyaachaarya V.P. Dhananjayan, Arun Matha --
_gAppendix A.
_tNotes on Personal Histories.
588 _aMachine converted from AACR2 source record.
650 0 _aMale dancers
_9330086
650 0 _aMale dancers
_xHistory
_9662221
650 0 _aMale dancers
_xSocial conditions
_9648502
650 0 _aMasculinity.
_9320475
650 0 _aGender identity in dance
_9330085
650 0 _aDance
_xSociological aspects
_9328698
650 0 _aDance
_xAnthropological aspects.
_9316453
700 1 _aFisher, Jennifer,
_d1949-
_eeditor.
_9448077
700 1 _aShay, Anthony,
_d1936-
_eeditor.
_9250205
907 _a.b11667928
_b11-07-17
_c27-10-15
942 _cB
945 _a792.8081 WHE
_g1
_iA478607B
_j0
_lcmain
_o-
_p$120.07
_q-
_r-
_s-
_t0
_u2
_v0
_w0
_x0
_y.i12999660
_z29-10-15
998 _ab
_ac
_b06-04-16
_cm
_da
_feng
_genk
_h0
999 _c1206671
_d1206671