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008			100129s2010 nyu b 001 0 eng d
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011			_aBIB MATCHES WORLDCAT
020			_a0415485991 _qhardback
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020			_a0415485983 _qpbk.
020			_a9780415485982 _qpbk.
035			_a(ATU)b11619089
035			_a(OCoLC)427645007
040			_aDLC _beng _erda _cDLC _dBWK _dATU
050	0	0	_aGV1594 _b.R68 2010
082	0	0	_a792.8 _222
245	0	4	_aThe Routledge dance studies reader / _cedited by Alexandra Carter and Janet O'Shea.
246	3	0	_aDance studies reader
250			_aSecond edition.
264		1	_aNew York : _bRoutledge, _c2010.
300			_axvii, 405 pages ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0	0	_tAcknowledgements -- _tList of contributors -- _g1. _tGeneral introduction -- _gPt. I. _tMaking dance -- _tIntroduction -- _g2. _tChoreographers: dancing for de Valois and Ashton -- _g3. _tTorse: there are no fixed points in space -- _g4. _t'No' to spectacle... -- _g5. _tPina Bausch: dance and emancipation -- _g6. _tImaginary homelands: creating a new dance language -- _gPt. II. _tPerforming dance -- _tIntroduction -- _g7. _tDancers talking about performance -- _g8. _tI am a dancer -- _g9. _tA dancing consciousness -- _g10. _tSpacemaking: experiences of a virtual body -- _gPt. III. _tReviewing dance -- _tIntroduction -- _g11. _tBridging the critical distance -- _g12. _tBetween description and deconstruction -- _g13. _tOh, That Pineapple Rag! -- _g14. _tSpring: Ashton's Symphonic Variations in America -- _gPt. IV. _tStudying dance: conceptual concerns -- _tIntroduction -- _g15. _tWhat is art? -- _g16. _tA vulnerable glance: seeing dance through phenomenology -- _g17. _tDance history source materials -- _g18. _tEmbodying difference: issues in dance and cultural studies -- _g19. _tAn introduction to dance analysis -- _g20. _tDance, gender and culture -- _g21. _tChoreographing history -- _gPt. V. _tLocating dance in history and society -- _tIntroduction -- _g22. _tMyths of origin -- _g23. _tIn pursuit of the sylph: ballet in the Romantic period -- _g24. _tDiaghilev's cultivated audience -- _g25. _tWomen writing the body: let's watch a little how she dances -- _g26. _t'Keep to the rhythm and you'll keep to life': meaning and style in African American vernacular dance -- _gPt. VI. _tAnalysing dance -- _tIntroduction -- _g27. _tDance and gender: formalism and semiotics reconsidered -- _g28. _tNijinsky: modernism and heterodox representations of masculinity -- _g29. _tDances of death: Germany before Hitler -- _g30. _tMark Morris: the body and what it means -- _g31. _tDance and music video: some preliminary observations -- _g32. _tTwo analyses of 'Dancing in the Dark' (The Band Wagon, 1953) -- _tBibliography -- _tIndex.
588			_aMachine converted from AACR2 source record.
650		0	_aDance. _9316451
650		0	_aModern dance _9353498
650		0	_aDance _xPhilosophy _9762136
650		0	_aDance _xSociological aspects _9328698
700	1		_aCarter, Alexandra, _eeditor. _9246281
700	1		_aO'Shea, Janet, _d1968- _9435793
907			_a.b11619089 _b22-08-17 _c27-10-15
998			_ab _ac _b06-04-16 _cm _da _feng _gnyu _h4
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