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005 | 20221101222653.0 | ||
008 | 010702s2001 enka 100 0 eng d | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a185273079X | ||
020 | _a9781852730796 | ||
035 | _a(ATU)b11590191 | ||
035 | _a(OCoLC)82563927 | ||
040 |
_aUKM _beng _erda _cNYP _dBAKER _dATU |
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_a792.809 _222 |
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_aPreservation politics : _bdance revived, reconstructed, remade / _ceditor, Stephanie Jordan. |
264 | 1 |
_aLondon : _bDance Books, _c2001. |
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300 |
_a264 pages : _billustrations ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _a"Proceedings of the conference at the University of Surrey Roehampton, November 8-9, 1997"--t.p. | ||
505 | 0 | 0 |
_tConfronting Oblivion: Keynote Address and Lecture Demonstration on Reconstructing Ballets / _rKenneth Archer and Millicent Hodson -- _tReconstructing the Disturbing New Spaces of Modernity: The Ballet Skating Rink / _rRamsay Burt -- _tDiaghilev's 'Soviet Ballet': Reconstructing Jakulov's Set Design for Le Pas d'acier (1927) / _rLesley-Anne Sayers -- _tAfter the Event: Reconstructing Ashton's 'Past' / _rCarol A. Martin -- _tInside Artistry: The George Balanchine Foundation Video Archives / _rNancy Reynolds -- _tIs Authenticity to be Had? / _rAnn Hutchinson Guest -- _tIssues of Authenticity and Identity in the Restaging of Paul Taylor's Airs / _rAngela Kane -- _tFreeze Frame or Fast Forward? Notating Ashton's La Fille mal gardee using video as a primary source / _rMichele Braban -- _tThe Preservation of the Ballets of Kurt Jooss / _rClare Lidbury -- _tReconstruction: Living or Dead? Authentic or Phony? / _rMuriel Topaz -- _tThe Staging of Doris Humphrey's Passacaglia: A Director's Perspective / _rLesley Main -- _tInterpreting or Remaking the Text? A Cross-Arts Panel Shakespeare: Preservation and /or Reinvention? / _rAnn Thompson -- _tReproducing the Dance: In Search of the Aura? / _rHelen Thomas -- _tMore than an Expert Scribe? The Human Dimension / _rAnn Whitley -- _tThe Present Past: Towards an Archaeology of Dance / _rAlessandra Iyer -- _tBringing the Past to the Present: An Experiment in Reviving Eighteenth-Century Theatre Dances / _rMadeleine Inglehearn -- _tImitating the Passions: Reconstructing the Meanings within the Passagalia of Venus & Adonis / _rMoira Goff -- _tPierre Lacotte and the Romantic Ballet: An Account of the Work of the French Choreographer and Director / _rNadine Meisner -- _tBien ecoute... a Study of Nineteenth Century Ballet Mime / _rGiannandrea Poesio and Marian Smith -- _tA la Recherche des pas Perdus: In Search of Lost Steps / _rAlastair Macaulay -- _tIdentity and the Open Work / _rSarah Rubidge -- _tRevisiting History in Postmodernism (Resurrecting Giselle... again... and again!) / _rVida Midgelow -- _tPostmodern Play with Historic Narratives in the Reconstruction of Lea Anderson's Flesh and Blood (1989) / _rValerie A. Briginshaw -- _tDeborah MacMillan interviewed by Christopher Cook and Monica Mason's demonstration of the Solo for the Chosen One from MacMillan's The Rite of Spring (1962) -- _tMatthew Bourne interviewed by David Leonard. |
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_aPreservation Politics (Conference) _d(1997 : _cRoehampton Institute) _9493317 |
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_aDance _xHistory _vCongresses _9677151 |
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_aDance _xHistory _y20th century. |
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650 | 0 |
_aDance _xPhilosophy _9762136 |
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700 | 1 |
_aJordan, Stephanie, _eeditor. _91033490 |
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