000 03757cam a2200361Li 4500
005 20221101222653.0
008 010702s2001 enka 100 0 eng d
011 _aBIB MATCHES WORLDCAT
020 _a185273079X
020 _a9781852730796
035 _a(ATU)b11590191
035 _a(OCoLC)82563927
040 _aUKM
_beng
_erda
_cNYP
_dBAKER
_dATU
082 0 4 _a792.809
_222
245 0 0 _aPreservation politics :
_bdance revived, reconstructed, remade /
_ceditor, Stephanie Jordan.
264 1 _aLondon :
_bDance Books,
_c2001.
300 _a264 pages :
_billustrations ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _a"Proceedings of the conference at the University of Surrey Roehampton, November 8-9, 1997"--t.p.
505 0 0 _tConfronting Oblivion: Keynote Address and Lecture Demonstration on Reconstructing Ballets /
_rKenneth Archer and Millicent Hodson --
_tReconstructing the Disturbing New Spaces of Modernity: The Ballet Skating Rink /
_rRamsay Burt --
_tDiaghilev's 'Soviet Ballet': Reconstructing Jakulov's Set Design for Le Pas d'acier (1927) /
_rLesley-Anne Sayers --
_tAfter the Event: Reconstructing Ashton's 'Past' /
_rCarol A. Martin --
_tInside Artistry: The George Balanchine Foundation Video Archives /
_rNancy Reynolds --
_tIs Authenticity to be Had? /
_rAnn Hutchinson Guest --
_tIssues of Authenticity and Identity in the Restaging of Paul Taylor's Airs /
_rAngela Kane --
_tFreeze Frame or Fast Forward? Notating Ashton's La Fille mal gardee using video as a primary source /
_rMichele Braban --
_tThe Preservation of the Ballets of Kurt Jooss /
_rClare Lidbury --
_tReconstruction: Living or Dead? Authentic or Phony? /
_rMuriel Topaz --
_tThe Staging of Doris Humphrey's Passacaglia: A Director's Perspective /
_rLesley Main --
_tInterpreting or Remaking the Text? A Cross-Arts Panel Shakespeare: Preservation and /or Reinvention? /
_rAnn Thompson --
_tReproducing the Dance: In Search of the Aura? /
_rHelen Thomas --
_tMore than an Expert Scribe? The Human Dimension /
_rAnn Whitley --
_tThe Present Past: Towards an Archaeology of Dance /
_rAlessandra Iyer --
_tBringing the Past to the Present: An Experiment in Reviving Eighteenth-Century Theatre Dances /
_rMadeleine Inglehearn --
_tImitating the Passions: Reconstructing the Meanings within the Passagalia of Venus & Adonis /
_rMoira Goff --
_tPierre Lacotte and the Romantic Ballet: An Account of the Work of the French Choreographer and Director /
_rNadine Meisner --
_tBien ecoute... a Study of Nineteenth Century Ballet Mime /
_rGiannandrea Poesio and Marian Smith --
_tA la Recherche des pas Perdus: In Search of Lost Steps /
_rAlastair Macaulay --
_tIdentity and the Open Work /
_rSarah Rubidge --
_tRevisiting History in Postmodernism (Resurrecting Giselle... again... and again!) /
_rVida Midgelow --
_tPostmodern Play with Historic Narratives in the Reconstruction of Lea Anderson's Flesh and Blood (1989) /
_rValerie A. Briginshaw --
_tDeborah MacMillan interviewed by Christopher Cook and Monica Mason's demonstration of the Solo for the Chosen One from MacMillan's The Rite of Spring (1962) --
_tMatthew Bourne interviewed by David Leonard.
588 _aMachine converted from AACR2 source record.
611 2 0 _aPreservation Politics (Conference)
_d(1997 :
_cRoehampton Institute)
_9493317
650 0 _aDance
_xHistory
_vCongresses
_9677151
650 0 _aDance
_xHistory
_y20th century.
650 0 _aDance
_xPhilosophy
_9762136
700 1 _aJordan, Stephanie,
_eeditor.
_91033490
907 _a.b11590191
_b11-07-17
_c27-10-15
942 _cB
945 _a792.809 PRE
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