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008			000410s2000 enka b 001 0 eng d
010			_a 99034730
011			_aBIB MATCHES WORLDCAT
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035			_a(ATU)b11467101
035			_a(OCoLC)41465410
040			_aDLC _beng _erda _cDLC _dUKM _dPMC _dLVB _dNLGGC _dBAKER _dBTCTA _dYDXCP _dOCLCG _dATU
050	0	0	_aPN2075 _b.T94 2000
082	0	0	_a792.02807 _221
245	0	0	_aTwentieth century actor training / _cedited by Alison Hodge.
246	3		_a20th century actor training
264		1	_aLondon ; _aNew York : _bRoutledge, _c2000.
300			_axv, 251 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aStanislavsky's system : pathways for the actor / Sharon Marie Carnicke -- Meyerhold and biomechanics / Robert Leach -- Jacques Copeau : the quest for sincerity / John Rudlin -- Michael Chekhov on the technique of acting : 'was Don Quixote true to life?' / Franc Chamberlain -- Brecht and actor training : on whose behalf do we act? / Peter Thomson -- Joan Littlewood / Clive Barker -- Strasberg, Adler and Meisner : method acting / David Krasner -- Joseph Chaikin and aspects of actor training : possibilities rendered present / Dorinda Hulton -- Peter Brook : transparency and the invisible network / Lorna Marshall and David Williams -- Grotowski's vision of the actor : the search for contact / Lisa Wolford -- Training with Eugenio Barba : acting principles, the pre-expressive and 'personal temperature' / Ian Watson -- Włodzimierz Staniewski : Gardzienice and the naturalised actor / Alison Hodge.
520			_a"Actor training is arguably the central phenomenon of twentieth century theatre making. Here for the first time, the theories, training exercises and productions of fourteen directors are analysed in a single volume, each one written by a leading expert. The practitioners included are: * Stella Adler * Bertolt Brecht * Joseph Chaikin * Jacques Copeau * Joan Littlewood * Vsevelod Meyerhold * Konstantin Stanislavsky * Eugenio Barba * Peter Brook * Michael Chekhov * Jerzy Grotowski * Sanford Meisner * Wlodimierz Staniewski * Lee Strasbourg. Each chapter provides a unique account of specific training exercises and an analysis of their relationship to the practitioners theoretical and aesthetic concerns. The collection examines the relationship between actor training and production and considers how directly the actor training relates to performance. With detailed accounts of the principles, exercises and their application to many of the landmark productions of the past hundred years, this book will be invaluable to students, teachers, practitioners, and academics alike."--Publisher's website.
588			_aMachine converted from AACR2 source record.
650		0	_aActing _xStudy and teaching. _9313359
700	1		_aHodge, Alison, _d1959- _eeditor. _9444324
907			_a.b11467101 _b23-03-18 _c27-10-15
998			_a(2)b _a(2)c _b23-03-18 _cm _da _feng _genk _h0
945			_a792.02807 TWE _g1 _iA468685B _j0 _lcmain _o- _p$158.35 _q- _r- _s- _t0 _u4 _v3 _w0 _x2 _y.i12930489 _z29-10-15
942			_cB
999			_c1195344 _d1195344