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_aPN2075 _b.A84 2008 |
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_a792.028 _222 |
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_aAshperger, Cynthia, _eauthor. _91074295 |
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_aThe rhythm of space and the sound of time : _bMichael Chekhov's acting technique in the 21st century / _cCynthia Ashperger. |
246 | 3 | 0 | _aMichael Chekhov's acting technique in the 21st century |
264 | 1 |
_aAmsterdam ; _aNew York : _bRodopi, _c2008. |
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300 |
_axxiv, 368 pages : _billustrations ; _c22 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 |
_aConsciousness, literature & the arts ; _v14 |
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504 | _aIncludes bibliographical references (pages 339-357) and index. | ||
505 | 0 | 0 |
_tIntroduction -- _g1. _tPhilosophical and Spiritual Influences of Michael Chekhov's Acting Technique: A History -- _g2. _tThe Teaching Philosophy of the Michael Chekhov Association and its Contribution to Contemporary Pedagogy -- _g3. _tCurrent Pedagogy: MICHA Faculty -- _g4. _tCurrent Pedagogy: Introductory Level -- _g5. _tCurrent Pedagogy: Advanced Level -- _tConclusion. |
520 | _a"The Rhythm of Space and the Sound of Time examines the place of Chekhov's Technique in contemporary acting pedagogy and practice. Cynthia Ashperger answers the questions: What are the reasons behind the technique's current resurgence? How has this cohesive and holistic training been brought into today's mainstream acting training? What separates this technique from the other currently popular methods? Ashperger offers an analysis of the complex philosophical influences that shaped Chekhov's ideas about this psycho-physical approach to acting. Chekhov's five guiding principles are introduced to demonstrate how eastern ideas and practices have been integrated into this western technique and how they have continued to develop on both theoretical and practical levels in contemporary pedagogy, thereby rendering it intercultural. The volume also focuses on the work of several contemporary teachers of the technique associated with Michael Chekhov International Association (MICHA). Current teacher training is described as well as the different modes of hybridization of Chekhov's technique with other current methods. Contemporary practical experiments and some fifty exercises at both beginner and intermediate/advanced levels are presented through analysis, examples, student journals and case studies, delineating the sequences in which units are taught and specifying the exercises that differ from those in Chekhov's original writing."--Publisher's website. | ||
588 | _aMachine converted from AACR2 source record. | ||
600 | 1 | 0 |
_aChekhov, Michael, _d1891-1955 _9339729 |
650 | 0 |
_aActing _xStudy and teaching. _9313359 |
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650 | 0 |
_aActing _xTechnique _9681169 |
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830 | 0 |
_aConsciousness, literature & the arts ; _v14. _91064774 |
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