000			03576cam a22004214i 4500
005			20211104073830.0
008			080318s2008 nyu b 001 0 eng d
010			_a 2007036129
011			_aBIB MATCHES WORLDCAT
020			_a0571211402 _qhardcover (alk. paper)
020			_a9780571211401 _qhardcover (alk. paper)
035			_a(ATU)b11465827
035			_a(OCoLC)166378240
040			_aDLC _beng _erda _cDLC _dBTCTA _dBAKER _dYDXCP _dC#P _dVP@ _dABG _dUPZ _dEDK _dCQU _dATU
043			_an-us---
050	0	0	_aML3531 _b.R44 2008
082	0	0	_a782.42164909 _222
100	1		_aReeves, Marcus, _d1969- _eauthor. _9444274
245	1	0	_aSomebody scream! : _brap music's rise to prominence in the aftershock of black power / _cMarcus Reeves.
250			_aFirst edition.
264		1	_aNew York : _bFaber and Faber, _c[2008]
264		4	_c©2008
300			_axii, 320 pages ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 287-295) and index.
505	0		_aGeneration remixed: post-nationalism and the Black culture shuffle -- The new Afro-Urban Movement: rap redefines the voice of America's chocolate cities -- Black pop in a b-boy stance: Run-D.M.C. -- Stumbling through black power revisited: Public Enemy -- Niggas selling attitude: N.W.A -- R-e-s-p-e-c-t in PC land: Salt-N-Pepa -- Gangster chic: Dr. Dre and Snoop Dogg -- The myth of thug power: Tupac Shakur -- Ghetto fab rising: the Notorious B.I.G. and Sean "Puffy" Combs -- The ice age: Jay-Z -- Dog eat dog: DMX -- Vanilla nice: Eminem -- Keep on-- to the break of dawn.
520			_aFrom the Publisher: "A strong and timely book for the new day in hip-hop. Don't miss it!"-Cornel West. For many African Americans of a certain demographic the sixties and seventies were the golden age of political movements. The Civil Rights movement segued into the Black Power movement which begat the Black Arts movement. Fast forward to 1979 and the release of Sugarhill Gang's "Rapper's Delight." With the onset of the Reagan years, we begin to see the unraveling of many of the advances fought for in the previous decades. Much of this occurred in the absence of credible, long-term leadership in the black community. Young blacks disillusioned with politics and feeling society no longer cared or looked out for their concerns started rapping with each other about their plight, becoming their own leaders on the battlefield of culture and birthing Hip-Hop in the process. In Somebody Scream, Marcus Reeves explores hip-hop music and its politics. Looking at ten artists that have impacted rap-from Run-DMC (Black Pop in a B-Boy Stance) to Eminem (Vanilla Nice)-and puts their music and celebrity in a larger socio-political context. In doing so, he tells the story of hip hop's rise from New York-based musical form to commercial music revolution to unifying expression for a post-black power generation.
588			_aMachine converted from AACR2 source record.
650		0	_aRap (Music) _xHistory and criticism _9644783
856	4	1	_3Sample text _uhttp://www.loc.gov/catdir/enhancements/fy0828/2007036129-s.html
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0743/2007036129-b.html
907			_a.b11465827 _b10-06-19 _c27-10-15
998			_a(2)b _a(2)c _b23-03-18 _cm _da _feng _gnyu _h0
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942			_cB
999			_c1195238 _d1195238