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| 050 | 4 |
_aTR899 _b.T49 2009 |
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_a777.55 _223 |
| 100 | 1 |
_aThompson, Roy, _eauthor. _91031526 |
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| 245 | 1 | 0 |
_aGrammar of the edit / _cRoy Thompson, Christopher J. Bowen. |
| 250 | _aSecond edition. | ||
| 264 | 1 |
_aAmsterdam ; _aBoston : _bFocal Press/Elsevier, _c[2009] |
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| 264 | 4 | _c©2009 | |
| 300 |
_axii, 212 pages : _billustrations ; _c23 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 500 | _aIncludes index. | ||
| 505 | 0 | 0 |
_gI. _tIntroduction -- _gII. _tWhat is Editing? -- _gIII. _tWhat is an Edit? -- _tTransitions Between Shots -- _gA. _tWhat Types of Edits are there? -- _g1. _tThe Cut -- _g2. _tThe Dissolve -- _g3. _tThe Fadeiv. The Wipe -- _gIV. _tWhen to make the Cut? -- _tFor reasons of: -- _gA. _tMotivation -- _gB. _tInformation -- _gC. _tComposition -- _gD. _tSound -- _gE. _tCamera Angle -- _gF. _tContinuity -- _gG. _tPacing -- _gV. _tThe Five Most Common Edit Categories -- _gA. _tThe Action Edit (continuity) -- _gB. _tScreen Position Edit (screen direction, directing the eye) -- _gC. _tForm Edit (match cut or match dissolve) -- _gD. _tConcept Edit (use of symbolism /themes to underline action /meaning) -- _gE. _tCombined Edit (several categories combined in one transition) -- _gVI. _tThe Editor's Challenge: How to Handle Difficult Footage -- _gA. _tScenarios where Film Language and Shooting-For-Editing got mixed up during production and how the editor might save the day in post. |
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_aVideo tapes _xEditing _9325564 |
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| 700 | 1 |
_aBowen, Christopher J., _eauthor. _91072638 |
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