000 | 01486cam a2200337 i 4500 | ||
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005 | 20230825152223.0 | ||
008 | 060308s2004 nyu 001 0 eng d | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a0595339255 | ||
020 | _a9780595339259 | ||
035 | _a(ATU)b11430217 | ||
035 | _a(OCoLC)60362029 | ||
040 |
_aVVB _beng _erda _cVVB _dBAKER _dVP@ _dBTCTA _dYDXCP _dATU |
||
082 | 0 | 4 |
_a070.18 _222 |
100 | 1 |
_aRollyson, Carl E. _q(Carl Edmund) _eauthor. _9264918 |
|
245 | 1 | 0 |
_aDocumentary film : _ba primer / _cCarl Rollyson. |
264 | 1 |
_aNew York : _biUniverse, Inc., _c[2004] |
|
264 | 4 | _c©2004 | |
300 |
_a96 pages ; _c23 cm |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
||
500 | _a"Documentary film: a primer provides introduction to the nature of the documentary, drawing on examples from the work of Robert Falherty, Dziga Vertov, Leni Riefenstahl, Woody Allen, Warren Beatty, Spalding Gray, Cindy Sherman, Susan Sontag, and others. It discussed ... the Russian Revolution, the Holocaust, and the worlds of fashion and sports"--Verso t.p. | ||
500 | _aIncludes index. | ||
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aDocumentary films _9321141 |
|
907 |
_a.b11430217 _b11-07-17 _c27-10-15 |
||
998 |
_ab _ac _b06-04-16 _cm _da _feng _gnyu _h0 |
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945 |
_a070.18 ROL _g1 _iA379451B _j0 _lcmain _o- _p$31.15 _q- _r- _s- _t0 _u8 _v0 _w0 _x0 _y.i12885009 _z29-10-15 |
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942 | _cB | ||
999 |
_c1192383 _d1192383 |