000			03086cam a2200421 i 4500
005			20221101232356.0
008			081216s2008 enkaf b 001 0beng d
010			_a 2008014382
011			_aBIB MATCHES WORLDCAT
020			_a0754664651 _qhardcover (alk. paper)
020			_a9780754664659 _qhardcover (alk. paper)
035			_a(ATU)b11423316
035			_a(OCoLC)220099375
040			_aDLC _beng _erda _cDLC _dBTCTA _dBAKER _dYDXCP _dBWKUK _dBWK _dBWX _dCDX _dUKM _dATU
050	0	0	_aN6639.P67 _bB39 2008
082	0	0	_a709.2 _222
100	1		_aBazzano-Nelson, Florencia, _d1959- _9264046
245	1	0	_aLiliana Porter and the art of simulation / _cFlorencia Bazzano-Nelson.
264		1	_aAldershot, England ; _aBurlington, VT : _bAshgate, _c[2008]
264		4	_c©2008
300			_ax, 170 pages, 4 unnumbered pages of plates : _billustrations (some colour) ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 139-162) and index.
505	0	0	_tIntroduction -- _g1. _tLiliana Porter's personal journey -- _g2. _tThe Magritte series -- _g3. _tIn search of imminent revelations -- _g4. _tThe subversive inner child -- _g5. _tMalice in wonderland -- _tConclusion.
520			_a"Visually appealing, conceptually startling, and intellectually engaging-these phrases aptly describe the art of Liliana Porter. Florencia Bazzano-Nelson's study focuses on the principal theme in the Argentine-born artist's work since the 1970s: her playful but subversive dismantling of the limits that separate everyday reality from the world of illusion and simulacra. Over the years, Porter's own evolving interest in perception lead the author to explore a series of interconnected and timely issues in her artistic production, such as the representative function of art, the structural links between art and language, and the witty re-signification of the art-historical images and mass-produced kitsch figurines she has so often featured in her art. Strongly founded in critical theory, Bazzano-Nelson's approach considers Porter's art as the site of conceptually exciting dialogues with Jorge Luis Borges, René Magritte, Michel Foucault, and Jean Baudrillard. Her carefully crafted interdisciplinary analysis not only combines art-historical, literary, and theoretical perspectives but also addresses the artist's work in different media, such as printmaking, conceptual art, photography, and film."--Publisher description.
588			_aMachine converted from AACR2 source record.
600	1	0	_aPorter, Liliana, _d1941-. _91072111
600	1	0	_aPorter, Liliana, _d1941- _xCriticism and interpretation.
600	1	0	_aPorter, Liliana, _d1941- _vPictorial works.
650		0	_aArts, Argentine _9337037
650		0	_aConceptual art. _9315929
907			_a.b11423316 _b28-09-17 _c27-10-15
942			_cB
945			_a709.2 POR _g1 _iA379052B _j0 _lcmain _o- _p$158.68 _q- _r- _s- _t0 _u10 _v0 _w0 _x0 _y.i12859722 _z29-10-15
998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _genk _h0
999			_c1191803 _d1191803