000			03279cam a22004214i 4500
005			20221101232142.0
008			010101s2008 enka b 001 0 eng d
010			_a 2008278427
011			_aBIB MATCHES WORLDCAT
020			_a1847188397
020			_a9781847188397
020			_a1847184839 _qjkt.
020			_a9781847184832 _qjkt.
035			_a(OCoLC)239844564
040			_aDLC _beng _erda _cDLC _dYDXCP _dATU
050	0	0	_aBF353.5.N65 _bS66 2008
082	0	4	_a700.904 _222
245	0	0	_aSonic mediations : _bbody, sound, technology / _cedited by Carolyn Birdsall and Anthony Enns.
246	3	0	_aBody, sound, technology
264		1	_aNewcastle : _bCambridge Scholars Pub., _c2008.
300			_aviii, 286 pages : _billustrations ; _c22 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0	0	_tIntroduction / _rCarolyn Birdsall and Anthony Enns -- _gPart I. _tMediating Perception -- _tThe Phonographic Body: Phreno-Mesmerism, Brain Mapping and -- _tEmbodied Recording / _rAnthony Enns -- _tAudio Virology: On the Sonic Mnemonics of Preemptive Power / _rSteve Goodman -- _t“Quick and Dirty”: Sonic Mediations and Affect / _rBruce Johnson -- _tTouched by Music: The Sonic Strokes of Sur Incises / _rVincent Meelberg -- _gPart II. _tMediating Performance -- _tDelegating the Live: Musicians, Machines and the Practice of Looping / _rJeremy Wade Morris -- _t“Oh Baby, I Like It Raw”: Engineering Truth / _rJan Hein Hoogstad -- _tVoice or Ear? The Female Voice and the Listener’s Position in Paul Lansky’s as it grew dark / _rHannah Bosma -- _tThe Pianist’s Body at Work: Mediating Sound and Meaning in Frederic Rzewski’s Winnsboro Cotton Mill Blues / _rKathryn Woodard -- _gPart III. _tMediating Space -- _tProducing Microscopic Embodied Spaces: The Flautist’s Mouth, Reverberation Effects and Kaija Saariaho’s Lichtbogen / _rTaina Riikonen -- _tAtmospherics / _rSteven Connor -- _tAnother Interactivity in Pneumatic Sound Field: On Interactive Sound Art and Digital Audio Technology / _rRuth Benschop -- _tHearing History: Storytelling and Collective Subjectivity in Cardiff and Miller’s Pandemonium / _rAdair Rounthwaite -- _gPart IV. _tMediating Audiovision -- _tTowards Intensive Audiovisual Encounters: Interactions of Opera and Cinema / _rMilla Tiainen -- _tDo You Want to Be Absorbed? The Knotty Acts of Mediation in Rosa: A Horse Drama / _rTereza Havelkova -- _tAuditory Imagination and Narrativisation in Béla Bartók’s Bluebeard’s Castle / _rPieter Verstraete -- _tSound Bites! Dissonant Audiovisions as Historiophony in Hitler’s Hi Parade / _rCarolyn Birdsall.
588			_aMachine converted from AACR2 source record.
650		0	_aSound _xPsychological aspects _9339230
650		0	_aMusic and technology _9328292
650		0	_aSound in art _9372475
650		0	_aAuditory perception. _9314271
700	1		_aBirdsall, Carolyn, _eeditor. _91071845
700	1		_aEnns, Anthony, _eeditor. _91071846
907			_a.b11418576 _b11-07-17 _c27-10-15
942			_cB
945			_a700.904 SON _g1 _iA378256B _j0 _lcmain _o- _p$165.58 _q- _r- _s- _t0 _u12 _v11 _w0 _x2 _y.i1284567x _z29-10-15
998			_ab _ac _b06-04-16 _cm _da _feng _genk _h0
999			_c1191408 _d1191408