000			01949cam a22003734i 4500
005			20211104072624.0
008			090208s2008 maua b 001 0 eng d
010			_a 2008008742
011			_aBIB MATCHES WORLDCAT
020			_a026203378X _qhardcover (alk. paper)
020			_a9780262033787 _qhardcover (alk. paper)
035			_a(ATU)b11417924
035			_a(OCoLC)212410152
040			_aDLC _beng _erda _cDLC _dBTCTA _dBAKER _dYDXCP _dUKM _dC#P _dCDX _dBWX _dIXA _dATU
050	0	0	_aML3540.7 _b.C65 2008
082	0	0	_a781.54 _222
100	1		_aCollins, Karen, _d1973- _eauthor. _9441897
245	1	0	_aGame sound : _ban introduction to the history, theory, and practice of video game music and sound design / _cKaren Collins.
246	3	0	_aIntroduction to the history, theory, and practice of video game music and sound design
264		1	_aCambridge, Mass. : _bMIT Press, _c[2008]
264		4	_c©2008
300			_ax, 200 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 189-196) and index.
505	0		_aIntroduction: Games are not films! but-- -- Push start button: the rise of video games -- Insert quarter to continue: 16-bit and the death of the arcade -- Press reset: video game music comes of age -- Game audio today: technology, process and aesthetic -- Synergy in game audio: film, popular music and intellectual property -- Gameplay, genre, and the functions of game audio -- Compositional approaches to dynamic game music.
588			_aMachine converted from AACR2 source record.
650		0	_aVideo game music _xHistory and criticism _9645392
907			_a.b11417924 _b11-07-17 _c27-10-15
998			_ab _ac _b06-04-16 _cm _da _feng _gmau _h0
945			_a781.54 COL _g1 _iA456360B _j0 _lcmain _o- _p$29.44 _q- _r- _s- _t0 _u9 _v8 _w1 _x3 _y.i1284620x _z29-10-15
942			_cB
999			_c1191354 _d1191354