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_aAnatomy live : _bperformance and the operating theatre / _cedited by Maaike Bleeker. |
264 | 1 |
_a[Amsterdam] : _bAmsterdam University Press, _c[2008] |
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264 | 4 | _c©2008 | |
300 |
_a270 pages : _billustrations ; _c24 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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_avolume _bnc _2rdacarrier |
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490 | 1 | _aMediaMatters | |
500 | _aSelected papers presented at the conference "The Anatomical Theatre Revisited" in 2006. | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_tAcknowledgements -- _tPrologue - Men with Glass Bodies / _rFrancis Barker -- _tIntroduction / _rMaaike Bleeker -- _tPerformance Documentation 1: Holoman, Digital Cadaver (Mike Tyler) -- _tDigital Cadavers and Virtual Dissection / _rJose van Dijck -- _t'Who Were You?': The Visible and the Visceral / _rIan Maxwell -- _tPerformance Documentation 2: Excavations: Fresh but Rotten (Marijs Boulogne) -- _tThe Anatomy Lesson of Professor Moxham / _rKaren Ingham -- _t'Be not faithless but believing': Illusion and Doubt in the Anatomy Theatre / _rGianna Bouchard -- _tPerformance Documentation 3: De Anatomische Les (Glen Tetley) -- _tOf Dissection and Technologies of Culture in Actor Training Programs - an Example from 1960s West Germany / _rAnja Klock -- _tOcular Anatomy, Chiasm, and Theatre Architecture as a Material Phenomenology in Early Modern Europe / _rPannill Camp -- _tPerformance Documentation 4: Camillo - Memo 4.0: The Cabinet of Memories - A Tear Donnor Session (Emil Hrvatin) -- _tMartin, Massumi, and The Matrix / _rMaaike Bleeker -- _tPerformance Documentation 5: sensing presence no 1: performing a hyperlink system (Copraij, Jenniches, Kunzmann) -- _t'Where Are You Now?': Locating the Body in Contemporary Performance / _rSusan Leigh Foster -- _tPerformance Documentation 6: Under My Skin (Ivana Muller) -- _tAnatomies of Live Art / _rSally Jane Norman -- _tPerformance Documentation 7: Crash (Eric Joris /CREW) -- _tRestaging the Monstrous / _rBojana Kunst -- _tDelirium of the Flesh: 'All theDead Voices' in the Space of the Now / _rMichal Kobialka -- _tPerformance Documentation 8: Korper (Sasha Waltz) -- _tOperating Theatres: Body-bits and a Post-apartheid Aesthetics / _rRachel Fensham. |
520 | _a"Gross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson - the technically precise province of clinical surgeons and medical faculties - hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors like Fabricius of Aquapendente shared audiences devoted to the workings of the human body. Anatomy Alive: Performance and the Operating Theatre, a remarkable consideration of new developments on the stage, as well as in contemporary writings of theorists such as Donna Haraway and Brian Massumi, turns our modern notions of the dissecting table on its head - using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like Body Worlds and The Visible Human Project and featuring contributions from a number of diverse scholars on such subjects as the construction of spectatorship and the implications of anatomical history, Anatomy Alive is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice."--Publisher. | ||
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aTheater _xPhilosophy _vCongresses _9729761 |
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_aTheater _xHistory _vCongresses _9661146 |
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_aMedicine and art _vCongresses _9738164 |
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_aAnatomy, Artistic _vCongresses _9738169 |
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_aBleeker, Maaike, _eeditor. _91070483 |
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