000 | 03206cam a2200529 i 4500 | ||
---|---|---|---|
005 | 20211105093513.0 | ||
008 | 070420s2006 gw a bc 000 0aeng d | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a3775718664 | ||
020 | _a9783775718660 | ||
020 |
_a3902490241 _qMUMOK |
||
020 |
_a9783902490247 _qMUMOK |
||
020 |
_a390249025X _qsuppl. _qGerman |
||
020 |
_a9783902490254 _qsuppl. _qGerman |
||
020 |
_a3902490268 _qsuppl. _qEnglish |
||
020 |
_a9783902490261 _qsuppl. _qEnglish |
||
035 | _a(ATU)b11386101 | ||
035 | _a(OCoLC)72437034 | ||
040 |
_aOHX _beng _erda _cOHX _dAZS _dBAKER _dYDXCP _dMUQ _dIXA _dAP _dATU |
||
050 | 4 |
_aN6811.5.W87 _bA4 2006 |
|
082 | 0 | 4 |
_a709.2 _223 |
100 | 1 |
_aWurm, Erwin, _d1954- _9443056 |
|
245 | 1 | 0 |
_aErwin Wurm : _bthe artist who swallowed the world / _c[edited by Museum Moderner Kunst Stiftung Ludwig Wien]. |
246 | 3 | 0 | _aArtist who swallowed the world |
246 | 3 | 0 | _aArtist who swallowed the world : Ludwig Forum f |
264 | 1 |
_aOstfildern : _bHatje Cantz, _c[2006] |
|
264 | 4 | _c©2006 | |
300 |
_a301 pages : _bchiefly illustrations (chiefly colour) ; _c29 cm |
||
336 |
_atext _btxt _2rdacontent |
||
336 |
_astill image _bsti _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
500 | _aLudwig Forum für Internationale Kunst, Aachen (September 23, 2006 - November 26, 2006) ; MUMOK, Museum Moderner Kunst Stiftung Ludwig Wien (October 20, 2006 - February 11, 2007) ; Deichtorhallen Hamburg (April 1, 2007 - August 31, 2007) ; Kunstmuseum St. Gallen ; Musee d'Art Contemporain de Lyon. | ||
504 | _aIncludes bibliographical references. | ||
520 | _aIn his wonderfully ambiguous One Minute Sculptures, which are only humorous at first glance, the Vienna-based conceptualist, Erwin Wurm, takes a literal approach to sculpture while also taking the medium apart: anyone can be a piece of art for a minute by following his instructions. The non-human works by which he is best known, the overinflated and floppy Fat Car and Fat House, are likewise spirited, thoughtful critiques, in this case of consumer culture. Their strained poses, like those of his One Minute participants, raise immediate, simple questions concerning normality and the meaning or lack of it in both artistic conventions and human actions. Wurm's profoundly humane work is an eye-opener to social forces, and always playful. Those who know it look forward to each new piece. This informative monograph assembles many previously unpublished videos, sculptures, installations and performances. | ||
588 | _aMachine converted from AACR2 source record. | ||
600 | 1 | 0 |
_aWurm, Erwin, _d1954- _vExhibitions. |
650 | 0 |
_aInstallations (Art) _vExhibitions _9371134 |
|
650 | 0 |
_aPerforming arts _vExhibitions _9728904 |
|
650 | 0 |
_aConceptual art _vExhibitions _9371693 |
|
650 | 0 |
_aSculpture, Austrian _y20th century _vExhibitions _9772404 |
|
710 | 2 |
_aMuseum Moderner Kunst (Austria) _9233125 |
|
907 |
_a.b11386101 _b03-10-17 _c27-10-15 |
||
998 |
_a(2)b _a(2)c _b06-04-16 _cm _da _feng _ggw _h0 |
||
945 |
_a709.2 WUR _g1 _iA445318B _j0 _lcmain _o- _p$75.34 _q- _r- _s- _t0 _u16 _v1 _w1 _x1 _y.i12794661 _z29-10-15 |
||
942 | _cB | ||
999 |
_c1188705 _d1188705 |