000 | 03670cam a22004934i 4500 | ||
---|---|---|---|
005 | 20221101230019.0 | ||
008 | 041227s2005 cau b 000 0 eng d | ||
010 | _a 2004000088 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a080474100X _qcloth (alk. paper) |
||
020 |
_a9780804741002 _qcloth (alk. paper) |
||
020 |
_a0804741018 _qpbk. (alk. paper) |
||
020 |
_a9780804741019 _qpbk. (alk. paper) |
||
035 | _a(ATU)b11371948 | ||
035 | _a(OCoLC)54065479 | ||
040 |
_aDLC _beng _erda _cDLC _dUKM _dBAKER _dBTCTA _dYDXCP _dATU |
||
041 | 1 |
_aeng _hfre |
|
043 | _amm----- | ||
050 | 0 | 0 |
_aN8187.5 _b.M6513 2005 |
082 | 0 | 0 |
_a306.47 _222 |
100 | 1 |
_aMondzain, Marie-José, _eauthor. _9253711 |
|
240 | 1 | 0 |
_aImage, icône, économie. _lEnglish |
245 | 1 | 0 |
_aImage, icon, economy : _bthe Byzantine origins of the contemporary imaginary / _cMarie-José Mondzain ; translated by Rico Franses. |
264 | 1 |
_aStanford, Calif. : _bStanford University Press, _c2005. |
|
300 |
_a264 pages ; _c24 cm. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
490 | 1 | _aCultural memory in the present | |
500 | _aTranslation of: Image, icône, économie : les sources byzantines de l'imaginaire contemporain. Paris : Editions du Seuil, c1996. | ||
504 | _aIncludes bibliographical references (pages 246-264). | ||
505 | 0 | 0 |
_g1. _tPrincipal themes -- _g2. _tA semantic study of the term Economy -- _g3. _tThe doctrine of the image and icon -- _g4. _tSacred precinct and profane space -- _g5. _tIconic space and territorial rule -- _g6. _tThe idol's Delenda Est -- _g7. _tGhost story -- _g8. _tThe Jew, frontally and in profile -- _tExtracts from the Iconoclast Horos of Hieria -- _tExtracts from the Antirrhetics, by Nikephoros, Patriarch of Constantinople. |
520 | _a"The barest awareness of the ubiquity and influence of the media today provides proof enough that our fate is in the hands of the image. But when and how was this fate sealed? Image, Icon, Economy considers this question and recounts an essential thread in the conceptualization of visual images within the Western tradition. This book argues that the extraordinary force of the image in contemporary life—the contemporary imaginary—can be traced back to the Byzantine iconoclastic controversy of the eighth and ninth centuries. It was during this period that the church was compelled to produce an account of the theological status of the religious image that would nevertheless not be open to even the slightest suspicion of idolatry. The solution arrived at was the dual doctrine of the image, invisible (and thus beyond the charge of idolatry) and the icon, visible, and thus perfectly fitted to be placed at the center of a pedagogical and political strategy serving the temporal power of the church. The foundations of this immense philosophical enterprise were laid in no less than the multifarious, interwoven strands of the divine economy, God's overall plan for the salvation of humanity."--Publisher description. | ||
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aIcons, Byzantine _9319078 |
|
650 | 0 |
_aChristian art and symbolism _zByzantine Empire _9726070 |
|
650 | 0 |
_aSemiotics. _9323825 |
|
830 | 0 |
_aCultural memory in the present. _91030054 |
|
856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0710/2004000088-b.html |
907 |
_a.b11371948 _b29-07-21 _c27-10-15 |
||
942 | _cB | ||
945 |
_a306.47 MON _g1 _iA428914B _j0 _lcmain _o- _p$83.83 _q- _r- _s- _t0 _u4 _v1 _w0 _x2 _y.i12776191 _z29-10-15 |
||
998 |
_a(3)b _a(3)c _b11-05-18 _cm _da _feng _gcau _h0 |
||
999 |
_c1187477 _d1187477 |