| 000 | 02730cam a2200433 i 4500 | ||
|---|---|---|---|
| 005 | 20221101224639.0 | ||
| 008 | 020204s2001 enka bq 001 0 eng d | ||
| 010 | _a 2001055895 | ||
| 011 | _aBIB MATCHES WORLDCAT | ||
| 020 |
_a0719056403 _qhardback |
||
| 020 |
_a9780719056406 _qhardback |
||
| 020 |
_a0719056411 _qpbk. |
||
| 020 |
_a9780719056413 _qpbk. |
||
| 035 | _a(ATU)b11341671 | ||
| 035 | _a(OCoLC)48399006 | ||
| 040 |
_aDLC _beng _erda _cDLC _dUKM _dC#P _dBAKER _dNLGGC _dYDXCP _dOCLCQ _dBTCTA _dLVB _dATU |
||
| 050 | 0 | 0 |
_aPN1995.9.D62 _bR67 2001 |
| 082 | 0 | 0 |
_a070.195 _222 |
| 100 | 1 |
_aRoscoe, Jane, _eauthor. _91030258 |
|
| 245 | 1 | 0 |
_aFaking it : _bmock-documentary and the subversion of factuality / _cJane Roscoe and Craig Hight. |
| 264 | 1 |
_aManchester ; _aNew York : _bManchester University Press, _c2001. |
|
| 264 | 2 |
_aNew York : _bDistributed exclusively in the U.S.A. by Palgrave |
|
| 300 |
_aix, 222 pages : _billustrations ; _c22 cm |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 504 | _aIncludes bibliographical references (pages 206-216) and index. | ||
| 504 | _aFilmography: p. [190]-205. | ||
| 505 | 0 | 0 |
_tList of illustrations -- _tList of tables -- _tPreface -- _tAcknowledgements -- _tIntroduction: mock-documentary and the subversion of factuality -- _g1. _tFactual discourse and the cultural placing of documentary -- _g2. _tRecent transformations of the documentary genre -- _g3. _tA cousin for the drama-documentary: situating the mock-documentary -- _g4. _tBuilding a mock-documentary schema -- _g5. _tA suggested genealogy -- _g6. _tDegree 1: parody -- _g7. _tDegree 2: critique and hoax -- _g8. _tDegree 3: deconstruction -- _tConclusion -- _tFilmography -- _tBibliography -- _tIndex. |
| 520 | _a"This exceptional book offers the first major study of mock-documentary. The authors examine the relatively new media form along with the association between factual codes and conventions, and the discourses which underpin the genre. The analysis includes detailed explorations of Woody Allen's Zelig, Peter Greenaway's The Falls, the Beatles' spoof The Rutles as well as Bob Roberts, This is Spinal Tap, and Man Bites Dog."--Publisher description. | ||
| 588 | _aMachine converted from AACR2 source record. | ||
| 650 | 0 |
_aDocumentary-style films _9337638 |
|
| 700 | 1 |
_aHight, Craig, _eauthor. _91067861 |
|
| 856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/bios/hol058/2001055895.html |
| 907 |
_a.b11341671 _b10-06-19 _c27-10-15 |
||
| 942 | _cB | ||
| 945 |
_a070.195 ROS _g1 _iA428952B _j0 _lcmain _o- _p$34.89 _q- _r- _s- _t0 _u10 _v0 _w0 _x0 _y.i12776087 _z29-10-15 |
||
| 998 |
_a(2)b _a(2)c _b20-03-18 _cm _da _feng _genk _h0 |
||
| 999 |
_c1184963 _d1184963 |
||