000 | 03165cam a2200445 i 4500 | ||
---|---|---|---|
005 | 20221114142047.0 | ||
008 | 080123t20072006enkabf b 001 0beng d | ||
010 | _a 2008353590 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a184413833X _qpbk. |
||
020 |
_a9781844138333 _qpbk. |
||
035 | _a(ATU)b11327522 | ||
035 | _a(OCoLC)163615499 | ||
040 |
_aUKM _beng _erda _cUKM _dYDXCP _dBAKER _dCYC _dDLC _dNSB _dOCLCG _dKEC _dATU |
||
042 | _aukscp | ||
050 | 0 | 0 |
_aND497.C7 _bB35 2007 |
082 | 0 | 4 |
_a759.2 _222 |
100 | 1 |
_aBailey, Anthony, _d1933-2020 _eauthor. _91215337 |
|
245 | 1 | 0 |
_aJohn Constable : _ba kingdom of his own / _cAnthony Bailey. |
264 | 1 |
_aLondon : _bVintage Books, _c2007. |
|
264 | 4 | _c©2006 | |
300 |
_axvii, 366 pages, 8 unnumbered pages of col. plates : _billustrations, maps ; _c22 cm |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
500 | _aOriginally published: London : Chatto & Windus, 2006. | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aDay-Spring (1776-99) -- A hero in distress (1799-1802) -- Nature's proper interest (1802-10) -- A cure for love (1810-13) -- Avoiding notice (1812-15) -- Ready to marry, perhaps (1815-17) -- Housekeeping (1817-19) -- All but the clouds (1820-21) -- Skying (1821-22) -- At the summit of earthly ambitions (1822-23) -- Trying the sea (1824) -- The leaping horse (1825-26) -- Life slips (1826-28) -- Darkness visible (1828-29) -- Seven children (1830-31) -- English landscape (1830-32) -- Clouds overhead (1831-32) -- A summer's morning (1833-34) -- Fever and fire (1834) -- The appearance of the day (1833-36) -- A portion of England (1835-37) -- Two monuments (1836) -- Engaged with the assassin (1837) --The other side of the grave (1837- ). | |
520 | _a"Born in 1776, John Constable was destined for his father's milling business, but he was obdurately opposed to this and persuaded his family he should become an artist. In the same determined spirit, he persisted in painting landscapes at a time when history paintings and portraits were the fashion. Today, Constable's reputation is on the rise once again, as witnessed by the exhibitions of his most famous paintings at the Tate, the National Gallery of Art in Washington, DC, and the Huntington Gallery in California. Anthony Bailey's important book explores Constable's life and work, highlighting throughout the dramatic tension between the two."--Publisher description. | ||
588 | _aMachine converted from AACR2 source record. | ||
600 | 1 | 0 |
_aConstable, John, _d1776-1837. _9311873 |
600 | 1 | 0 |
_aConstable, John, _d1776-1837 _vPictorial works. |
600 | 1 | 0 |
_aConstable, John, _d1776-1837 _xCriticism and interpretation. |
650 | 0 |
_aPainters _zEngland _vBiography _9587616 |
|
856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0809/2008353590-b.html |
907 |
_a.b11327522 _b10-06-19 _c27-10-15 |
||
942 | _cB | ||
945 |
_a759.2 CON _g1 _iA376914B _j0 _lcmain _o- _p$35.87 _q- _r- _s- _t0 _u0 _v0 _w0 _x0 _y.i12769757 _z29-10-15 |
||
998 |
_a(2)b _a(2)c _b20-03-18 _cm _da _feng _genk _h0 |
||
999 |
_c1183754 _d1183754 |