000 | 03303cam a22004454i 4500 | ||
---|---|---|---|
005 | 20221101223258.0 | ||
008 | 080327s2008 enka b 001 0 eng d | ||
010 | _a 2008019982 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a1845203771 _qcloth |
||
020 |
_a9781845203771 _qcloth |
||
035 | _a(ATU)b11310856 | ||
035 | _a(OCoLC)226984798 | ||
040 |
_aDLC _beng _erda _cDLC _dBTCTA _dBAKER _dC#P _dBWK _dYDXCP _dATU |
||
050 | 0 | 0 |
_aTS1629 _b.F35 2008 |
082 | 0 | 0 |
_a677.022 _222 |
100 | 1 |
_aFaiers, Jonathan, _eauthor. _91066278 |
|
245 | 1 | 0 |
_aTartan / _cJonathan Faiers. |
250 | _aEnglish edition. | ||
264 | 1 |
_aOxford ; _aNew York : _bBerg, _c2008. |
|
300 |
_a326 pages : _billustrations (chiefly colour) ; _c26 cm |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
500 | _a"Published in association with the Victoria & Albert Museum"--T.p. verso. | ||
504 | _aIncludes bibliographical references (pages 307-310) and index. | ||
505 | 0 | 0 |
_tIntroduction -- _gPart I. _tTartan and History -- _g1. _tTechnical Construction: Sett, Weave, Colour -- _g2. _tEarly Appearances -- _g3. _tFragments and Fabrication -- _gPart II. _tTartan and Dress -- _g4. _tTransforming Tartan -- _g5. _tRegulation Tartan -- _g6. _tErogenous Zones -- _g7. _tTartan Toffs -- _gPart III. _tTartan's Embrace -- _g8. _tBalmoralization -- _g9. _tTartan, the Grid and Modernity -- _g10. _tSupernatural Tartan -- _g11. _tColonization -- _g12. _tTartan's Translation -- _tTartan Timeline. |
520 | _a"Tartan has colonized the world. The flexibility of its design and the traditionalism of its symbolism - as well as the travels of the Scots - have taken the fabric around the globe. Traditionally the visual sign of clanship and district, tartan was popularized outside Scotland by the tartan-clad Highland regiments and Queen Victoria's royal endorsement. Hollywood has continued to sustain the romantic fictions of tartan from Brigadoon to Braveheart. At the same time, designers such as Westwood and McQueen have deliberately subverted the traditional and historical associations of the fabric, as have contemporary artists such as Matthew Barney. Post-punk, tartan now turns up in the most surprising places, influencing the conceptual clothing of a generation of Japanese designers such as Watanabe and Takahashi, the stage costumes of Outkast's Andre 3000 and contemporary interior design. Beautifully illustrated and weaving together a story out of history, art, music, film and fashion, Tartan contains everything you ever wanted to know about this most radical and most traditional of fabrics."--Publisher description. | ||
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aPlaid _xHistory _9660221 |
|
650 | 0 |
_aWool fabrics _xHistory _9660228 |
|
650 | 0 |
_aTextile design _zScotland _xHistory _9691289 |
|
650 | 0 |
_aTartans _xHistory _9660233 |
|
710 | 2 |
_aVictoria and Albert Museum. _9311744 |
|
856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0829/2008019982-b.html |
907 |
_a.b11310856 _b10-06-19 _c27-10-15 |
||
942 | _cB | ||
945 |
_a677.022 FAI _g1 _iA446171B _j0 _lcmain _o- _p$72.47 _q- _r- _s- _t0 _u8 _v4 _w0 _x3 _y.i12803248 _z29-10-15 |
||
998 |
_a(2)b _a(2)c _b20-03-18 _cm _da _feng _genk _h0 |
||
999 |
_c1182335 _d1182335 |