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005 | 20221101222902.0 | ||
008 | 080122s2008 nyua b 001 0 eng d | ||
010 | _a 2007028250 | ||
011 | _aBIB MATCHES WORLDCAT | ||
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_a0415960533 _qhardback |
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_a9780415960533 _qhardback |
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_a0415960541 _qpbk. |
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_a9780415960540 _qpbk. |
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035 | _a(ATU)b11301260 | ||
035 | _a(OCoLC)154678338 | ||
040 |
_aDLC _beng _erda _cDLC _dBTCTA _dBAKER _dYDXCP _dC#P _dBWX _dOCoLC _dATU |
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050 | 0 | 0 |
_aNX650.L34 _bL36 2008 |
082 | 0 | 0 |
_a704.9436 _222 |
245 | 0 | 0 |
_aLandscape theory / _cedited by Rachael Ziady DeLue and James Elkins. |
264 | 1 |
_aNew York : _bRoutledge, _c2008. |
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300 |
_ax, 366 pages : _billustrations ; _c21 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 |
_aThe art seminar ; _vv. 6 |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_gSect. 1. _tIntroduction -- _tElusive Landscapes and Shifting Grounds / _rRachael Ziady DeLue -- _gSect. 2. _tStarting Points -- _tIntroduction to Social Formation and Symbolic Landscape / _rDenis E. Cosgrove -- _t"One with Nature": Landscape, Language, Empathy, and Imagination / _rAnne Whiston Spirn -- _tWriting Moods / _rJames lkins -- _gSect. 3. _tThe Art Seminar -- _tParticipants: Denis E. Cosgrove, Rachael Ziady DeLue, Jessica Dubow, James Elkins, Michael Gaudio, David Hays, Roisin Kennedy, Michael Newman, Rebecca Solnit, Anne Whiston Spirn, Minna Torma, Jacob Wamberg -- _gSect. 4. _tAssessments -- _tKenneth R. Olwig -- _tMaunu Hayrynen -- _tJill H. Casid -- _tDianne Harris -- _tJennifer Jane Marshall -- _tRobin Kelsey -- _tMalcolm Andrews -- _tBlaise Drummond -- _tHanna Johansson -- _tAnnika Waenerberg -- _tStephen Daniels -- _tDana Leibsohn -- _tYvonne Scott -- _tMartin Powers -- _tJerome Silbergeld -- _tMichel Baridon -- _tDavid E. Nye -- _tRobert B. Riley -- _gSect. 5. _tAfterwords -- _tBetween Subject and Object / _rAlan Wallach -- _tBlindness and Insights / _rElizabeth Helsinger. |
520 | 1 | _a"Artistic representations of landscape are studied in a half-dozen disciplines (art history, geography, literature, philosophy, politics, sociology), and there is no master narrative or historiographic genealogy to frame interpretations. Geographers are interested in political formations (and geography, as a discipline, is increasingly non-visual). Art historians have written extensively on landscape, but there have not been any recent synthetic attempts or theoretical overviews. At the same time, painters and other artists often feel they "possess" the landscape of the region in which they live; that ownership takes place at a non-verbal level, and seems incommensurate with the discourses of art history or geography. Landscape Theory, volume 6 in The Art Seminar series, is the first book to bring together different disciplines and practices, in order to undertand how best to conceptualize landscape in art."--BOOK JACKET. | |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aLandscapes in art _9319854 |
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650 | 0 |
_aArts. _9314155 |
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650 | 0 |
_aLandscapes _9319848 |
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700 | 1 |
_aDeLue, Rachael Ziady, _eeditor. _91065853 |
|
700 | 1 |
_aElkins, James, _d1955- _eeditor. _9239721 |
|
830 | 0 |
_aArt seminar ; _vv. 6. _91056824 |
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907 |
_a.b11301260 _b02-02-18 _c27-10-15 |
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