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035 _a(ATU)b11301260
035 _a(OCoLC)154678338
040 _aDLC
_beng
_erda
_cDLC
_dBTCTA
_dBAKER
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_dC#P
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_dATU
050 0 0 _aNX650.L34
_bL36 2008
082 0 0 _a704.9436
_222
245 0 0 _aLandscape theory /
_cedited by Rachael Ziady DeLue and James Elkins.
264 1 _aNew York :
_bRoutledge,
_c2008.
300 _ax, 366 pages :
_billustrations ;
_c21 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aThe art seminar ;
_vv. 6
504 _aIncludes bibliographical references and index.
505 0 0 _gSect. 1.
_tIntroduction --
_tElusive Landscapes and Shifting Grounds /
_rRachael Ziady DeLue --
_gSect. 2.
_tStarting Points --
_tIntroduction to Social Formation and Symbolic Landscape /
_rDenis E. Cosgrove --
_t"One with Nature": Landscape, Language, Empathy, and Imagination /
_rAnne Whiston Spirn --
_tWriting Moods /
_rJames lkins --
_gSect. 3.
_tThe Art Seminar --
_tParticipants: Denis E. Cosgrove, Rachael Ziady DeLue, Jessica Dubow, James Elkins, Michael Gaudio, David Hays, Roisin Kennedy, Michael Newman, Rebecca Solnit, Anne Whiston Spirn, Minna Torma, Jacob Wamberg --
_gSect. 4.
_tAssessments --
_tKenneth R. Olwig --
_tMaunu Hayrynen --
_tJill H. Casid --
_tDianne Harris --
_tJennifer Jane Marshall --
_tRobin Kelsey --
_tMalcolm Andrews --
_tBlaise Drummond --
_tHanna Johansson --
_tAnnika Waenerberg --
_tStephen Daniels --
_tDana Leibsohn --
_tYvonne Scott --
_tMartin Powers --
_tJerome Silbergeld --
_tMichel Baridon --
_tDavid E. Nye --
_tRobert B. Riley --
_gSect. 5.
_tAfterwords --
_tBetween Subject and Object /
_rAlan Wallach --
_tBlindness and Insights /
_rElizabeth Helsinger.
520 1 _a"Artistic representations of landscape are studied in a half-dozen disciplines (art history, geography, literature, philosophy, politics, sociology), and there is no master narrative or historiographic genealogy to frame interpretations. Geographers are interested in political formations (and geography, as a discipline, is increasingly non-visual). Art historians have written extensively on landscape, but there have not been any recent synthetic attempts or theoretical overviews. At the same time, painters and other artists often feel they "possess" the landscape of the region in which they live; that ownership takes place at a non-verbal level, and seems incommensurate with the discourses of art history or geography. Landscape Theory, volume 6 in The Art Seminar series, is the first book to bring together different disciplines and practices, in order to undertand how best to conceptualize landscape in art."--BOOK JACKET.
588 _aMachine converted from AACR2 source record.
650 0 _aLandscapes in art
_9319854
650 0 _aArts.
_9314155
650 0 _aLandscapes
_9319848
700 1 _aDeLue, Rachael Ziady,
_eeditor.
_91065853
700 1 _aElkins, James,
_d1955-
_eeditor.
_9239721
830 0 _aArt seminar ;
_vv. 6.
_91056824
907 _a.b11301260
_b02-02-18
_c27-10-15
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