000 | 03067cam a2200421 i 4500 | ||
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005 | 20221101222847.0 | ||
008 | 080205s2008 mau b 001 0 eng d | ||
010 | _a 2007024780 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a1405176563 _qhardcover (alk. paper) |
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020 |
_a9781405176569 _qhardcover (alk. paper) |
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035 | _a(ATU)b11300632 | ||
035 | _a(OCoLC)145396488 | ||
040 |
_aDLC _beng _erda _cDLC _dBAKER _dBTCTA _dC#P _dYDXCP _dATU |
||
050 | 0 | 0 |
_aNX180.S6 _bY66 2008 |
082 | 0 | 0 |
_a700.103 _222 |
100 | 1 |
_aYoung, James O., _d1957- _eauthor. _9410276 |
|
245 | 1 | 0 |
_aCultural appropriation and the arts / _cJames O. Young. |
264 | 1 |
_aMalden, MA : _bBlackwell Pub., _c2008. |
|
300 |
_axiv, 168 pages ; _c24 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 |
_aNew directions in aesthetics ; _v6 |
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504 | _aIncludes bibliographical references (pages 159-165) and index. | ||
505 | 0 | _aWhat is cultural appropriation? -- The aesthetics of cultural appropriation -- Cultural appropriation as theft -- Cultural appropriation as assault -- Profound offence and cultural appropriation -- Conclusion: responding to cultural appropriation. | |
520 | 1 | _a"Cultural appropriation is a pervasive feature of the contemporary world. The Parthenon Marbles remain in London. Works of art from indigenous cultures are held by many metropolitan museums. White musicians from Bix Beiderbecke to Eric Clapton have appropriated musical styles from African-American culture. From North America to Australasia, artists have appropriated motifs and stories from aboriginal cultures. Novelists and filmmakers from one culture have taken as their subject matter the lives and practices of members of other cultures." "The practice of cultural appropriation has given rise to important ethical and aesthetic questions. Can cultural appropriation result in the production of aesthetically successful works of art? Is cultural appropriation in the arts morally objectionable? These questions have been widely debated by anthropologists, lawyers, art historians, advocates of the rights of indigenous peoples, literary critics, museum curators, and others. At root, however, these questions are philosophical. Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise."--Jacket. | |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aArts and society. _9314176 |
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650 | 0 |
_aArts _xMoral and ethical aspects _9747041 |
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650 | 0 |
_aCultural property _9328695 |
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830 | 0 |
_aNew directions in aesthetics ; _v6. _91048549 |
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856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0803/2007024780-b.html |
907 |
_a.b11300632 _b27-07-21 _c27-10-15 |
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