000			03574cam a22004574i 4500
005			20221101222413.0
008			070815s2007 enka b 001 0 eng d
010			_a 2007033738
011			_aBIB MATCHES WORLDCAT
020			_a1845206568 _qhbk.
020			_a9781845206567 _qhbk.
020			_a1845206576 _qpbk.
020			_a9781845206574 _qpbk.
035			_a(ATU)b11289223
035			_a(OCoLC)141381611
040			_aDLC _beng _erda _cDLC _dYDX _dBTCTA _dBAKER _dYDXCP _dBWK _dOCoLC _dATU
043			_au-at---
050	0	0	_aN7401 _b.M655 2007
082	0	0	_a704.039915 _222
100	1		_aMorphy, Howard, _eauthor. _91034564
245	1	0	_aBecoming art : _bexploring cross-cultural categories / _cHoward Morphy.
264		1	_aOxford ; _aNew York : _bBerg, _c2007.
300			_axv, 234 pages : _billustrations ; _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 213-222) and index.
505	0	0	_tList of Illustrations -- _g1. _tCross-cultural categories and the inclusion of aboriginal art -- _gI. _tA short history of Yolngu art -- _g2. _tThe history begins -- _g3. _tBark painting and the emergence of Yolngu fine art -- _gII. _tEngaging with art history -- _g5. _tVisuality and representation in Yolngu art -- _g6. _tStyle and meaning: Abelam art through Yolngu eyes -- _g7. _tArt theory and art discourse across cultures -- _gIII. _tYolngu art and the chimera of fine art -- _g8. _tPlacing indigenous art in the gallery -- _g9. _tConclusion --
505	0	0	_tCross-cultural Categories and the Inclusion of Aboriginal Art -- _tA Short History of Yolngu Art -- _tThe History Begins -- _tBark Painting and the Emergence of Yolngu Fine Art -- _tDialogue and Change -- _tEngaging with Art History -- _tVisuality and Representation in Yolngu Art -- _tStyle and Meaning: Abelam Art through Yolngu Eyes -- _tArt Theory and Art Discourse across Cultures -- _tYolngu Art and the Chimera of Fine Art -- _tPlacing Indigenous Art in the Gallery -- _tConclusion.
520	1		_a"Thirty years ago Australian Aboriginal art was little more than a footnote to world art. Today, it is considered to be an important contemporary art movement, often promoted as being connected to a deep cultural past." "Becoming Art provides a new analysis of the shifting cultural and social contexts that surround the production of Aboriginal art. Transcending the boundaries between anthropology and art history, the book draws on arguments from both disciplines to provide a unique interdisciplinary perspective that places the artists themselves at the centre of the argument." "Western art history has traditionally regarded Aboriginal art as distanced in time and place. Becoming Art uses the recent history of Aboriginal art to challenge some of the presuppositions of western art discourse and western art worlds. It argues for a more cross-cultural perspective on world art history."--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
650		0	_aArt, Yolngu _9332428
650		0	_aIndigenous art _xHistoriography _9643109
650		0	_aArt and society. _9314091
650		0	_aCultural awareness _9331798
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0743/2007033738-b.html
907			_a.b11289223 _b10-06-19 _c27-10-15
942			_cB
945			_a704.039915 MOR _g1 _iA374682B _j0 _lcmain _o- _p$118.60 _q- _r- _s- _t0 _u8 _v0 _w0 _x1 _y.i12663694 _z29-10-15
998			_a(3)b _a(3)c _b23-03-18 _cm _da _feng _genk _h0
999			_c1180549 _d1180549