000 | 01920cam a2200409 i 4500 | ||
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005 | 20211105132618.0 | ||
008 | 071016s2007 hiua b s001 0 eng d | ||
010 | _a 2007023712 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0824830938 _qhardcover (alk. paper) |
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020 |
_a9780824830939 _qhardcover (alk. paper) |
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035 | _a(ATU)b11281625 | ||
035 | _a(OCoLC)144547917 | ||
040 |
_aDLC _beng _erda _cDLC _dBAKER _dBTCTA _dC#P _dYDXCP _dBWX _dIXA _dATU |
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050 | 0 | 0 |
_aNX583.A1 _bP35 2007 |
082 | 0 | 0 |
_a700.95109034 _222 |
100 | 1 |
_aPang, Laikwan, _eauthor. _9245842 |
|
245 | 1 | 4 |
_aThe distorting mirror : _bvisual modernity in China / _cLaikwan Pang. |
264 | 1 |
_aHonolulu : _bUniversity of Hawaiʻi Press, _c[2007] |
|
264 | 4 | _c©2007 | |
300 |
_aviii, 280 pages : _billustrations ; _c25 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 247-272) and index. | ||
505 | 0 | 0 |
_tIntroduction -- _tThe PictorialThe Pictorial Turn and the Realist Desire -- _tPhotography, Performance, and the Making of Female Images -- _tAdvertising and the Visual Display of Women -- _tThe TheatricalPeking Opera, from Listening to Watching -- _tWalking into and out of China's Early Film Scene -- _tMagic and Modernity -- _tEpilogue -- _tNotes -- _tGlossary. |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aArts, Chinese _y19th century _9769959 |
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650 | 0 |
_aArts, Chinese _y20th century _9772339 |
|
650 | 0 |
_aModernism (Aesthetics) _zChina _9708373 |
|
650 | 0 |
_aIdentity (Psychology) _zChina _9708385 |
|
650 | 0 |
_aArts and society _zChina _9708394 |
|
907 |
_a.b11281625 _b20-03-18 _c27-10-15 |
||
998 |
_ab _ac _b20-03-18 _cm _da _feng _ghiu _h4 |
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945 |
_a700.95109034 PAN _g1 _iA425587B _j0 _lcmain _o- _p$61.96 _q- _r- _s- _t0 _u1 _v0 _w0 _x0 _y.i12659216 _z29-10-15 |
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942 | _cB | ||
999 |
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