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| 008 | 071219s2007 enkaf b 001 0 eng d | ||
| 010 | _a 2007027931 | ||
| 011 | _aBIB MATCHES WORLDCAT | ||
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| 035 | _a(ATU)b11279734 | ||
| 035 | _a(OCoLC)141384420 | ||
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_aN8510 _b.A33 2007 |
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_a745.5 _222 |
| 100 | 1 |
_aAdamson, Glenn, _eauthor. _91023796 |
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| 245 | 1 | 0 |
_aThinking through craft / _cGlenn Adamson. |
| 250 | _aEnglish edition. | ||
| 264 | 1 |
_aOxford ; _aNew York : _bBerg, _c2007. |
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| 300 |
_ax, 209 pages, 16 unnumbered pages of plates : _billustrations (some colour) ; _c25 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages 171-201) and index. | ||
| 505 | 0 | _aCraft at the limits -- Craft as a process -- Supplemental -- Homage to Brancusi -- Wearable sculptures : modern jewelry and the problem of autonomy -- Reframing the pattern and decoration movement -- Props : Gijs Bakker and Gord Peteran -- Material -- Ceramic presence : Peter Voulkos -- Natural limitations : Stephen De Staebler and Ken Price -- Crawling through mud : Yagi Kazuo -- The materialization of the art object, 1966-72 -- Breath : Dale Chihuly and Emma Wooffenden -- Skilled -- Circular thinking : David Pye and Michael Baxandall -- Learning by doing -- Thinking in situations : Josef Albers - from the Bauhaus to Black Mountain -- Charles Jencks and Kenneth Frampton : the ad hoc and the tectonic -- Conclusion : skill and the human condition -- Pastoral -- Regions apart -- Two versions of pastoral : Phil Leider and Art Espenet Carpenter -- North, south, east, west : Carl Andre and Robert Smithson -- Landscapes : Gord Peteran and Richard Slee -- Amateur -- "The world's most fascinating hobby" : Robert Arneson -- Feminism and the politics of amateurism -- Abject craft : Mike Kelley and Tracey Emin -- Conclusion. | |
| 520 | _aThis volume provides an introduction to the varied concepts and theories of modern arts and crafts. The author writes about craft as a process or an approach -- not as things. He demonstrates the complex interdependencies of craft and art as well as "craft's" own conflicting historical tendencies. The author presents five aspects of "craft's" supposed second-class identity: supplementarity, sensuality, skill, the pastoral, and the amateur. Contrary to the implied second-class status of these themes, he suggests that these are in fact the things that make craft significant and unique. | ||
| 520 | 8 | _aThis book provides an introduction to the way that artists working in all media think about craft. Dispensing with clichéd arguments that craft is art, Adamson persuasively makes a case for defining craft in a more nuanced fashion. | |
| 588 | _aMachine converted from AACR2 source record. | ||
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_aArt _xTechnique _9371234 |
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_aHandicraft _9318646 |
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_aWorkmanship _9332332 |
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| 856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0730/2007027931-b.html |
| 907 |
_a.b11279734 _b15-08-21 _c27-10-15 |
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