000			03410cam a22004814i 4500
005			20221101221918.0
008			060713s2006 nyua 000 0aeng d
010			_a 2006923316
011			_aBIB MATCHES WORLDCAT
020			_a1597110299
020			_a9781597110297
035			_a(ATU)b11275145
035			_a(DLC) 2006923316
035			_a(OCoLC)70672420
040			_aDLC _beng _erda _dATU
042			_alccopycat
043			_an-us---
050	0	0	_aTR680 _b.R426 2006
082	0	4	_a779.2092 _222
100	1		_aRenaldi, Richard, _ephotographer. _91064729
245	1	0	_aRichard Renaldi : _bfigure and ground / _c[photographs by Richard Renaldi] ; essay by Roger Hargreaves.
246	3	0	_aFigure and ground
250			_aFirst edition.
264		1	_aNew York, N.Y. : _bAperture, _c[2006]
264		2	_aNew York, N.Y. : _bDistributed in North America by D.A.P./Distributed Art Publishers
264		4	_c©2006
300			_a156 pages : _bchiefly colour illustrations ; _c30 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
520	1		_a"Richard Renaldi is a photographer in love with looking. He searches for the brief encounter, that fleeting moment when a stranger opens his life to him and, consequently, to the viewer. His trust in the descriptive and empathic ability of the camera verges on that of his nineteenth- and early-twentieth-century predecessors. Can we gain insight into the person in front of us simply by staring fixedly into his face, by capturing his figure in crisp detail on film? Renaldi leads us to believe, despite rumor to the contrary, we just might." "Throughout his work, Renaldi melds two classic photographic genres - portrait and landscape - into a single descriptive frame that speaks as much to a sense of the individuals before the lens as it does to the space they inhabit. The omnivorous film-plane of Renaldi's 8-by-10 camera embraces not only the individuals directly in front of it, but the environment that encompasses them as well. He photographs not only individuals we might traditionally view as Americans - a Britney Spears look-alike toting a Louis Vuitton bag through a Greyhound bus terminal, or a rodeo cowboy with elbows akimbo, hands on belt buckle, standing determinedly against the dirt-filled horizon - but also those we need to more readily consider as part of our identity. In New Jersey, Renaldi photographs a woman in a burqa and Timberland boots set against the faded geometry of a Newark street; in Los Angeles, a transgender girl works the counter of a fast food joint, lit in the sad-glamorous glow of fluorescent light. If there is truly a new center to the American social landscape, it can be found here, in Renaldi's precisely rendered portraits."--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
600	1	0	_aRenaldi, Richard. _91064729
650		0	_aPortrait photography _zUnited States _9707108
650		0	_aPhotography, Artistic _9351696
651		0	_aUnited States _vPictorial works _9352630
700	1		_aHargreaves, Roger, _d1959- _9435776
907			_a.b11275145 _b03-10-17 _c27-10-15
942			_cB
945			_a779.2092 REN _g1 _iA325488B _j0 _lcmain _o- _p$80.48 _q- _r- _s- _t0 _u13 _v0 _w0 _x0 _y.i12642629 _z29-10-15
998			_ab _ac _b06-04-16 _cm _da _feng _gnyu _h0
999			_c1179493 _d1179493