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005 | 20221101221724.0 | ||
008 | 061123s2006 nyua b 000 0ceng d | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a0714845272 | ||
020 | _a9780714845272 | ||
035 | _a(ATU)b11270573 | ||
035 | _a(OCoLC)77516638 | ||
040 |
_aOCoLC _beng _erda _dATU |
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050 | 4 |
_aN6853.S283 _bA4 2006 |
|
082 | 0 | 4 |
_a777.092 _223 |
100 | 1 |
_aSala, Anri, _d1974- _9436209 |
|
245 | 1 | 0 |
_aAnri Sala / _cMark Godfrey, [interview by] Hans Ulrich Obrist, Liam Gillick. |
264 | 1 |
_aNew York : _bPhaidon, _c2006. |
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300 |
_a158 pages : _billustrations (chiefly colour) ; _c30 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 | _aContemporary artists | |
504 | _aIncludes bibliographical references (pages 155-156). | ||
520 | 1 | _a"Anri Sala's work is often about obscurity - obscurity of images but also of language and experience - which can render it both vexingly subtle and uncomfortably immediate. Working in a range of media - including video, photography and installation - and having been raised in Tirana, educated in Paris and now settled in Berlin, Anri Sala represents a truly contemporary international vision. They impact of his work - featured at the world's top venues and exhibitions - endorses Sala's conviction that art can transcend cultural references without losing any of its specificity nor, indeed, its power."--BOOK JACKET. | |
588 | _aMachine converted from AACR2 source record. | ||
600 | 1 | 0 |
_aSala, Anri, _d1974- _xCriticism and interpretation. |
600 | 1 | 0 |
_aSala, Anri, _d1974- _vInterviews. |
650 | 0 |
_aVideo art _9353548 |
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700 | 1 |
_aObrist, Hans-Ulrich, _eauthor. |
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700 | 1 |
_aGodfrey, Mark, _eauthor. _91064290 |
|
700 | 1 |
_aGillick, Liam, _d1964- _eauthor. _9436210 |
|
830 | 0 |
_aContemporary artists. _91031709 |
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907 |
_a.b11270573 _b03-10-17 _c27-10-15 |
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942 | _cB | ||
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998 |
_ab _ac _b06-04-16 _cm _da _feng _gnyu _h0 |
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999 |
_c1179124 _d1179124 |