000			01755cam a2200349 i 4500
005			20211104030128.0
008			050613s1973 nyu 001 0 eng d
011			_aBIB MATCHES WORLDCAT
020			_a0025473905
020			_a9780025473904
035			_a(ATU)b11268335
035			_a(OCoLC)686257
040			_aDLC _beng _erda _dATU
050	0	0	_aPN2061 _b.H28
082	0	4	_a792.028
100	1		_aHagen, Uta, _d1919-2004 _eauthor. _9435810
245	1	0	_aRespect for acting / _cUta Hagen with Haskel Frankel.
264		1	_aNew York : _bMacmillan, _c[1973]
300			_a227 pages ; _c22 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes index.
505	0		_aPart 1. The Actor. Concept -- Identity -- Substitution -- Emotional memory -- Sense memory -- The five senses -- Thinking -- Walking and talking -- Improvisation -- Reality. Part 2. The object exercises. The basic object exercise -- Three entrances -- Immediacy -- The fourth wall -- Endowment -- Talking to yourself -- Outdoors -- Conditioning forces -- History -- Character action. Part 3. The play and the role. First contact with the play -- The character -- Circumstances -- Relationship -- The objective -- The obstacle -- The action -- The rehearsal -- Practical problems -- Communication -- Style.
588			_aMachine converted from non-AACR2, non-ISBD source record.
650		0	_aActing. _9313358
700	1		_aFrankel, Haskel, _eauthor. _9250155
907			_a.b11268335 _b03-10-17 _c27-10-15
998			_a(3)b _a(3)c _b06-04-16 _cm _da _feng _gnyu _h0
945			_a792.028 HAG _g1 _iA424198B _j0 _lcmain _o- _p$22.41 _q- _r- _s- _t0 _u11 _v5 _w0 _x2 _y.i12630779 _z29-10-15
942			_cB
999			_c1178945 _d1178945