000 03771pam a22004334i 4500
005 20221101221251.0
008 060125s2001 paua b 001 0 eng d
010 _a 2001002663
011 _aBIB MATCHES WORLDCAT
020 _a0822941473
_qalk. paper
020 _a9780822941477
_qalk. paper
020 _a0822957507
020 _a9780822957508
035 _a(ATU)b11260889
035 _a(DLC) 2001002663
035 _a(OCoLC)46936145
040 _aDLC
_beng
_erda
_dATU
042 _apcc
050 0 0 _aGV1588.3
_b.N34 2001
082 0 0 _a792.82
_221
100 1 _aNagrin, Daniel,
_eauthor.
_91030664
245 1 0 _aChoreography and the specific image :
_bnineteen essays and a workbook /
_cDaniel Nagrin.
264 1 _aPittsburgh, Pa. :
_bUniversity of Pittsburgh Press,
_c[2001]
264 4 _c©2001
300 _axi, 274 pages :
_billustrations ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references (pages 269-270) and index.
505 0 0 _tAcknowledgments --
_tIntroduction --
_tThe Essays --
_g1..
_tHelen Tamiris and Her Teaching of Choreography --
_g2..
_tA Method of Teaching Choreography --
_g3..
_tChoreography and the Specific Image --
_g4..
_tImprovisation as a Tool for Choreography --
_g5..
_t"Rules" for Choreography in No Particular Order --
_g6..
_tThe Play of Metaphor --
_g7..
_tModern Dance Choreography--Ballet Choreography --
_g8..
_tChoreography for the Solo Dancer, Choreography for a Group: The Problems and Differences --
_g9..
_tAbstract Dance versus What? --
_g10..
_tMusic --
_g11..
_tWords and Song Lyrics --
_g12..
_tVirtuosity --
_g13..
_tDirection --
_g14..
_tThe Stage: The Costumes, The Lights, The Sets, The Sound --
_g15..
_tChoreography for the Theatre, Musical Comedy and Opera --
_g16..
_tMindsets --
_g17..
_tThe Criticism of Choreography --
_g18..
_tAnecdotal Material --
_g19..
_tThe Ethics of Aesthetics --
_tThe Workbook --
_tWorkbook Introduction and Outline --
_g1..
_tWarming Up --
_tGifts --
_tMedicine Ball --
_tOutrageous Travel --
_tGoldfish Bowl --
_tBlind Journey --
_g2..
_tThe Rhythm Series --
_tBreath Rhythm --
_tPulse Rhythm --
_tInner Rhythm --
_tDedicate Your Motion --
_tGo Visiting --
_tTrue Repetition --
_tEvolving Repetition --
_tSpinning --
_g3..
_tUncovering Sources of Movement: The First Steps --
_tCircles --
_tEach Alone --
_tBackdoor --
_tHub Meditation --
_tVisualization --
_tGesture Permutations --
_tGesture Rondo --
_g4..
_tMetaphor --
_g5..
_tSense Memory Sources --
_tFaces --
_tThe Obstacle --
_tPassing through a Physical Object --
_tSlalom --
_g6..
_tSources of Movement Material --
_tThe Mind-Wash --
_tNot Naming --
_tThe Other --
_tA Duet --
_tThe Duet as a Structure --
_g7..
_tFinding Gold in "Bad" Habits --
_tCliche Rondo --
_tYour Familiar --
_tPossessed by a Mannerism --
_g8..
_tMusic Sources of Movement --
_tAmbient Sound --
_tRhythm Circle --
_tBefore, After and On --
_tWho or What Is Alive in the Music? --
_tRiff Cactus --
_tUsing Music for Improvisation --
_g9..
_tWords and Movement --
_tWords --
_tCreating Words --
_tBeing Created by Words --
_tBecoming Words --
_tPrison --
_tPoems --
_g10..
_tMore --
_tWhy Do You Dance? --
_tProps Fantasy --
_tInside the Outside --
_tBody Contact --
_tSeeing through the Eyes of Another --
_tI Dare You --
_tNotes --
_tIndex.
588 _aMachine converted from AACR2 source record.
650 0 _aDance
_xPhilosophy
_9762136
650 0 _aChoreography
_9315385
907 _a.b11260889
_b11-07-17
_c27-10-15
942 _cB
945 _a792.82 NAG
_g1
_iA374198B
_j0
_lcmain
_o-
_p$96.06
_q-
_r-
_s-
_t0
_u9
_v0
_w0
_x0
_y.i12639886
_z29-10-15
945 _a792.82 NAG
_g1
_iA374199B
_j0
_lcmain
_o-
_p$48.03
_q-
_r-
_s-
_t0
_u8
_v0
_w0
_x0
_y.i12639898
_z29-10-15
998 _a(2)b
_a(2)c
_b06-04-16
_cm
_da
_feng
_gpau
_h0
999 _c1178372
_d1178372