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008 | 060125s2001 paua b 001 0 eng d | ||
010 | _a 2001002663 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0822941473 _qalk. paper |
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_a9780822941477 _qalk. paper |
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035 | _a(ATU)b11260889 | ||
035 | _a(DLC) 2001002663 | ||
035 | _a(OCoLC)46936145 | ||
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_aDLC _beng _erda _dATU |
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042 | _apcc | ||
050 | 0 | 0 |
_aGV1588.3 _b.N34 2001 |
082 | 0 | 0 |
_a792.82 _221 |
100 | 1 |
_aNagrin, Daniel, _eauthor. _91030664 |
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245 | 1 | 0 |
_aChoreography and the specific image : _bnineteen essays and a workbook / _cDaniel Nagrin. |
264 | 1 |
_aPittsburgh, Pa. : _bUniversity of Pittsburgh Press, _c[2001] |
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264 | 4 | _c©2001 | |
300 |
_axi, 274 pages : _billustrations ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 269-270) and index. | ||
505 | 0 | 0 |
_tAcknowledgments -- _tIntroduction -- _tThe Essays -- _g1.. _tHelen Tamiris and Her Teaching of Choreography -- _g2.. _tA Method of Teaching Choreography -- _g3.. _tChoreography and the Specific Image -- _g4.. _tImprovisation as a Tool for Choreography -- _g5.. _t"Rules" for Choreography in No Particular Order -- _g6.. _tThe Play of Metaphor -- _g7.. _tModern Dance Choreography--Ballet Choreography -- _g8.. _tChoreography for the Solo Dancer, Choreography for a Group: The Problems and Differences -- _g9.. _tAbstract Dance versus What? -- _g10.. _tMusic -- _g11.. _tWords and Song Lyrics -- _g12.. _tVirtuosity -- _g13.. _tDirection -- _g14.. _tThe Stage: The Costumes, The Lights, The Sets, The Sound -- _g15.. _tChoreography for the Theatre, Musical Comedy and Opera -- _g16.. _tMindsets -- _g17.. _tThe Criticism of Choreography -- _g18.. _tAnecdotal Material -- _g19.. _tThe Ethics of Aesthetics -- _tThe Workbook -- _tWorkbook Introduction and Outline -- _g1.. _tWarming Up -- _tGifts -- _tMedicine Ball -- _tOutrageous Travel -- _tGoldfish Bowl -- _tBlind Journey -- _g2.. _tThe Rhythm Series -- _tBreath Rhythm -- _tPulse Rhythm -- _tInner Rhythm -- _tDedicate Your Motion -- _tGo Visiting -- _tTrue Repetition -- _tEvolving Repetition -- _tSpinning -- _g3.. _tUncovering Sources of Movement: The First Steps -- _tCircles -- _tEach Alone -- _tBackdoor -- _tHub Meditation -- _tVisualization -- _tGesture Permutations -- _tGesture Rondo -- _g4.. _tMetaphor -- _g5.. _tSense Memory Sources -- _tFaces -- _tThe Obstacle -- _tPassing through a Physical Object -- _tSlalom -- _g6.. _tSources of Movement Material -- _tThe Mind-Wash -- _tNot Naming -- _tThe Other -- _tA Duet -- _tThe Duet as a Structure -- _g7.. _tFinding Gold in "Bad" Habits -- _tCliche Rondo -- _tYour Familiar -- _tPossessed by a Mannerism -- _g8.. _tMusic Sources of Movement -- _tAmbient Sound -- _tRhythm Circle -- _tBefore, After and On -- _tWho or What Is Alive in the Music? -- _tRiff Cactus -- _tUsing Music for Improvisation -- _g9.. _tWords and Movement -- _tWords -- _tCreating Words -- _tBeing Created by Words -- _tBecoming Words -- _tPrison -- _tPoems -- _g10.. _tMore -- _tWhy Do You Dance? -- _tProps Fantasy -- _tInside the Outside -- _tBody Contact -- _tSeeing through the Eyes of Another -- _tI Dare You -- _tNotes -- _tIndex. |
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