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_aGV1627.7.A34 _bM36 2004 |
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_a792.808996073 _222 |
100 | 1 |
_aManning, Susan, _eauthor. _91063543 |
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245 | 1 | 0 |
_aModern dance, Negro dance : _brace in motion / _cSusan Manning. |
264 | 1 |
_aMinneapolis : _bUniversity of Minnesota Press, _c[2004] |
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264 | 4 | _c©2004 | |
300 |
_axxvi, 291 pages : _billustrations ; _c26 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 223-271) and index. | ||
505 | 0 | 0 |
_tIntroduction : American bodies in motion -- _g1. _tDanced spirituals -- _g2. _tDancing left -- _g3. _tIn the shadow of war -- _g4. _tBlood memories. |
520 | 1 | _a"Modern Dance, Negro Dance is the first book to bring together these two vibrant strains of American dance in the modern era. Susan Manning traces the paths of modern dance and Negro dance from their beginnings in the Depression to their ultimate transformations in the postwar years, from Helen Tamiris's and Ted Shawn's suites of Negro Spirituals to concerts sponsored by the Workers Dance League, from Graham's American Document to the debuts of Katherine Dunham and Pearl Primus, from Jose Limon's 1954 work The Traitor to Merce Cunningham's 1958 dances Summerspace and Antic Meet, to Ailey's 1960 masterpiece Revelations." "Through photographs and reviews, documentary film and oral history, Manning intricately and inextricably links the two historically divided traditions. The result is a unique view of American dance history across the divisions of black and white, radical and liberal, gay and straight, performer and spectator, and into the multiple, interdependent meanings of bodies in motion."--BOOK JACKET. | |
588 | _aMachine converted from AACR2 source record. | ||
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_aModern dance _zUnited States _9605172 |
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650 | 0 |
_aAfrican American dance. _9313511 |
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