000			02950cam a22004454i 4500
005			20221101220804.0
008			030811s2003 caua b 001 0 eng d
010			_a 2002015661
011			_aBIB MATCHES WORLDCAT
020			_a0804739889 _qcloth (alk. paper)
020			_a9780804739887 _qcloth (alk. paper)
020			_a0804739978 _qpbk. (alk. paper)
020			_a9780804739979 _qpbk. (alk. paper)
035			_a(ATU)b11248877
035			_a(DLC) 2002015661
035			_a(OCoLC)50694759
040			_aDLC _beng _erda _dATU
042			_apcc
050	0	0	_aGV1783 _b.M25 2003
082	0	0	_a792.8 _221
100	1		_aMcCarren, Felicia M., _eauthor. _91063537
245	1	0	_aDancing machines : _bchoreographies of the age of mechanical reproduction / _cFelicia McCarren.
264		1	_aStanford, Calif. : _bStanford University Press, _c2003.
300			_avi, 254 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 201-248) and index.
505	0	0	_g1. _tEconomics of Gesture, Mechanics, Thermodynamics, Cinematics -- _g2. _tChoreocinema -- _g3. _tAbstraction -- _g4. _tBallets Without Bodies -- _g5. _tLabor Is Dancing -- _g6. _tSubmitting to the Machine.
520	1		_a"The age of high tech is haunted by an image from the last century that developed in the three decades between the patenting of the cinematographe and its turn toward sound: the dancing machine, paradox of the ease of mechanization and its tortures, embodiment of the motor and the automaton, image of fusion and fragmentation." "An excavation of this image, in the historical context of maximum productivity and mechanical reproducibility, reveals its development in European Modernism - Modernism drawn to dancers of American, African, and Asian origins, to Taylorism as well as to Primitivism, to cinema and to myth. This book traces the abstraction and anonymity of the bodies making machines dance, in the codes of modernisms graphic and choreographic, and in the streamlined gestures of industry, avant-garde art, and entertainment. What surfaces is dance's centrality to machine aesthetics and to its alternatives, as well as to the early elaboration of the machine that would become the ultimate guarantor of modern dance's de-mechanization, the motion-picture camera."--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
650		0	_aModern dance _9353498
650		0	_aMechanization in dance _9331998
650		0	_aMachinery _9320277
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0710/2002015661-b.html
907			_a.b11248877 _b10-06-19 _c27-10-15
942			_cB
945			_a792.8 MCC _g1 _iA431245B _j0 _lcmain _o- _p$59.16 _q- _r- _s- _t0 _u14 _v7 _w0 _x1 _y.i12617374 _z29-10-15
998			_a(2)b _a(2)c _b23-03-18 _cm _da _feng _gcau _h0
999			_c1177428 _d1177428