000 | 01806cam a2200397 i 4500 | ||
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005 | 20230526151035.0 | ||
008 | 980406s1998 mnua b s001 0 eng d | ||
010 | _a 97034688 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a081662772X _qhc _qacid-free paper |
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020 |
_a9780816627721 _qhc _qacid-free paper |
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020 |
_a0816627738 _qpbk. (acid-free paper) |
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020 |
_a9780816627738 _qpbk. (acid-free paper) |
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035 | _a(ATU)b11238604 | ||
035 | _a(OCoLC)37546686 | ||
040 |
_aDLC _beng _erda _dATU |
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050 | 0 | 0 |
_aN6494.B63 _bJ66 1998 |
082 | 0 | 0 |
_a700.9045 _221 |
100 | 1 |
_aJones, Amelia, _eauthor. _91031240 |
|
245 | 1 | 0 |
_aBody art/performing the subject / _cAmelia Jones. |
264 | 1 |
_aMinneapolis : _bUniversity of Minnesota Press, _c[1998] |
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264 | 4 | _c©1998 | |
300 |
_axiv, 349 pages : _billustrations ; _c27 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 241-329) and index. | ||
505 | 0 | _aPostmodernism, subjectivity, and body art : a trajectory -- The "Pollockian performative" and the revision of the modernist subject -- The body in action : Vito Acconci and the "coherent" male artistic subject -- The rhetoric of the pose : Hannah Wilke and the radical narcissism of feminist body art -- Dispersed subjects and the demise of the "individual" : 1990s bodies in/as art. | |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aBody art _9314693 |
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650 | 0 |
_aPerformance art _9322081 |
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907 |
_a.b11238604 _b21-06-21 _c27-10-15 |
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942 | _cB | ||
945 |
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998 |
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999 |
_c1176648 _d1176648 |