000			03162cam a22003378a 4500
005			20221101194307.0
008			070803s2007 enk 000 0 eng d
011			_aBIB MATCHES WORLDCAT
015			_aGBA698691 _2bnb
020			_a9780826485182 (hbk.) : _c£55.00
020			_a0826485189 (hbk.) : _c£55.00
020			_a9780826485199 (pbk.) : _c£14.99
020			_a0826485197 (pbk.) : _c£14.99
035			_a(ATU)b11238100
035			_a(OCoLC)76798496
040			_aBNB
082	0	4	_a781.17 _222
100	1		_aHamilton, Andrew. _91063100
245	1	0	_aAesthetics and music / _cAndrew Hamilton.
263			_a200703
264		1	_aLondon : _bContinuum, _c2007.
300			_avii,246 p.
490	1		_aContinuum aesthetics
505	0	0	_g1. _tAesthetics and music in ancient Greece -- _tMusic and mousike, art and techne -- _tThe Pythagorean and Platonic-Pythagorean mathematical conception -- _tThe ethical conception, and Plato's more empirically-minded successors Aristotle and Aristoxenus -- _tThe separation of the value spheres -- _tMedieval and Renaissance musical thought -- _g2. _tThe concept of music -- _tThe possibility of non-musical aural or sound-art -- _tThe concept of music -- _tSounds, tones and sound-art -- _g3. _tThe aesthetics of form, the aesthetics of expression and 'absolute music' : aesthetics of music in the late eighteenth and nineteenth centuries -- _tThe Romantic metaphysics of music -- _tKant and formalism -- _tHegel : historicism and truth-content -- _tSchopenhauer and Wagner : absolute music -- _tNietzsche : the Apollonian and the Dionysian -- _tHanslick and formalism -- _tExpression, form and absolute music -- _g4. _tThe sound of music -- _tThe acousmatic experience of sound -- _tPythagoras and musique concrete -- _tA broader definition of 'acousmatic' -- _tObjections to the acousmatic thesis -- _tThe twofold thesis -- _tA humanistic conception of music versus more abstract conceptions -- _g5. _tRhythm and time -- _tMusic as an art of time -- _tThe universality of rhythm -- _tA Platonic, organic definition -- _tRhythm and metre -- _tRhythm and accent -- _tRhythm and movement -- _g6. _tAdorno and modernism : music as autonomous and 'social fact' -- _tThe advent of modernism -- _tAdorno's aesthetics of modernism -- _tAdorno and Kant : art as autonomous and purposeless -- _tAdorno and Hegel : dialectic, historicism and truth-content -- _tAdorno and Marx : art as commodity or social fact -- _tThe culture industry -- _tMusic of the avant-garde : Adorno's limited grounds for optimism -- _tDialectics and the autonomy of art -- _g7. _tImprovisation and composition -- _tThe aesthetics of perfection and imperfection -- _tThe concept of improvisation and 'improvised feel' -- _tSpontaneity and the aesthetics of perfection -- _tFree improvisers, interpreters and 'improvisation as a compositional method'.
650		0	_aMusic _xPhilosophy and aesthetics _9321199
830		0	_aContinuum aesthetics. _91062410
907			_a.b11238100 _b03-10-17 _c27-10-15
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