000 | 03776cam a22004694i 4500 | ||
---|---|---|---|
005 | 20221101193854.0 | ||
008 | 061020s2006 mnua bq s001 0deng d | ||
010 | _a 2006013896 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0816642508 _qhc _qalk. paper |
||
020 |
_a0816642516 _qpb _qalk. paper |
||
020 |
_a9780816642502 _qhc _qalk. paper |
||
020 |
_a9780816642519 _qpb _qalk. paper |
||
035 | _a(ATU)b11225385 | ||
035 | _a(DLC) 2006013896 | ||
035 | _a(OCoLC)67872312 | ||
040 |
_aDLC _beng _erda _dATU |
||
042 | _apcc | ||
050 | 0 | 0 |
_aPN1995.9.D62 _bF3 2006 |
082 | 0 | 0 |
_a070.18 _222 |
245 | 0 | 0 |
_aF is for phony : _bfake documentary and truth's undoing / _cAlexandra Juhasz and Jesse Lerner, editors. |
264 | 1 |
_aMinneapolis : _bUniversity of Minnesota Press, _c[2006] |
|
264 | 4 | _c©2006 | |
300 |
_a255 pages : _billustrations ; _c27 cm. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
490 | 1 |
_aVisible evidence ; _vv. 17 |
|
504 | _aIncludes bibliographical references and index. | ||
504 | _aIncludes filmography: p. 241-243. | ||
505 | 0 | 0 |
_tIntroduction : phony definitions and troubling taxonomies of the fake documentary / _rAlexandra Juhasz and Jesse Lerner -- _g1. _tSteel engines and cardboard rockets : the status of fiction and nonfiction in early cinema / _rCharlie Keil -- _g2. _tLa Venganza de Pancho Villa : a lost and found border film / _rGregorio C. Rocha -- _g3. _tTrashing Shulie : remnants from some abandoned feminist history / _rElisabeth Subrin -- _g4. _tNo lies about Ruins / _rJesse Lerner -- _g5. _tThe past in Ruins : postmodern politics and the fake history film / _rSteve Anderson -- _g6. _tLand without bread / _rLuis Bunuel -- _g7. _tSurrealist ethnography : Las Hurdes and the documentary unconscious / _rCatherine Russell -- _g8. _tExtracts from an imaginary interview : questions and answers about Bontoc eulogy / _rMarlon Fuentes -- _g9. _tMakes me feel mighty real : The watermelon woman and the critique of black visuality / _rRobert F. Reid-Pharr -- _g10. _tThe artifice of realism and the lure of the "real" in Orson Welles's F for fake and other T(r)eas(u)er(e)s / _rCatherine L. Benamou -- _g11. _tForgotten silver : a New Zealand television hoax and its audience / _rCraig Hight and Jane Roscoe -- _g12. _tThe truth about No lies (if you can believe it) / _rMitchell W. Block -- _g13. _tScreen memories : fakeness in Asian American media practice / _rEve Oishi -- _g14. _tFaking what? : making a mockery of documentary / _rAlisa Lebow -- _g15. _tAs a finale : reflections on a phantasm / _rAlexandra Juhasz and Jesse Lerner. |
520 | _aFake documentaries mimic documentary genre expectations, unraveling the documentary's authority and dismantling understandings of identity, history, and nation. The interdisciplinary essays in F Is for Phony discuss a broad scope of works and explore issues raised by "fake docs" such as the fiction/documentary divide, the ethics of reality-based manipulation, and whether documentariness derives from form or reception. Defining the borderline between fact and fiction, the contributors reveal what fake documentaries imply and usually make explicit: that many documentaries lie to tell the truth, and that the truth is relative. | ||
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aDocumentary-style films _xHistory and criticism _9644986 |
|
700 | 1 |
_aJuhasz, Alexandra. _91062509 |
|
700 | 1 |
_aLerner, Jesse. _91062510 |
|
830 | 0 |
_aVisible evidence ; _vv. 17. _91036264 |
|
907 |
_a.b11225385 _b27-07-21 _c27-10-15 |
||
942 | _cB | ||
945 |
_a070.18 FIS _g1 _iA430351B _j0 _lcmain _o- _p$22.11 _q- _r- _s- _t0 _u18 _v0 _w0 _x0 _y.i12581586 _z29-10-15 |
||
998 |
_ab _ac _b06-04-16 _cm _da _feng _gmnu _h0 |
||
999 |
_c1175650 _d1175650 |