000			03689cam a2200397 i 4500
005			20211104012940.0
008			070601s2007 ne a b 001 0 eng d
010			_a 2007010822
011			_aBIB MATCHES WORLDCAT
020			_a0240809181 _qpbk. (alk. paper)
020			_a9780240809182 _qpbk. (alk. paper)
035			_a(ATU)b11214703
035			_a(DLC) 2007010822
035			_a(OCoLC)86117541
040			_aDLC _beng _erda _dATU
050	0	0	_aTR897 _b.P7975 2007
082	0	4	_a777.55 _223
100	1		_aPurcell, John, _d1957- _eauthor. _9432784
245	1	0	_aDialogue editing for motion pictures : _ba guide to the invisible art / _cJohn Purcell ; foreword by Dominick Tavella.
264		1	_aAmsterdam ; _aBoston : _bFocal Press, _c[2007]
264		4	_c©2007
300			_axv, 365 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (page 349) and index.
505	0	0	_gCh. 1. _tWhat is dialogue editing? -- _gCh. 2. _tNo one works in a vacuum - how to know where you fit into the filmmaking process -- _gCh. 3. _tA quick look at picture editing -- _gCh. 4. _tThe sound department -- _gCh. 5. _tGetting sound from the picture department to the sound department -- _gCh. 6. _tBurn-ins, file names, and backups -- _gCh. 7. _tScreening the OMF/PostConform - the spotting session -- _gCh. 8. _tManaging your time -- _gCh. 9. _tGetting started on dialogue editing -- _gCh. 10. _tNow, the actual editing -- _gCh. 11. _tImage, depth, and perspective -- _gCh. 12. _tDamage repair -- _gCh. 13. _tProduction FX and guide tracks -- _gCh. 14. _tConformations -- _gCh. 15. _tADR -- _gCh. 16. _tEditing production sound for documentaries -- _gCh. 17. _tPreparing for the mix -- _gCh. 18. _tThe mix -- _gApp. A. _tDialogue editing in a nutshell -- _gApp. B. _tTrack template for a typical small film's dialogue.
520			_a"Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers all the workflows you are likely to encounter. Efficient working practices are emphasized throughout, so you learn to save time and avoid needless repetition.Many dialogue editors are hobbled by a lack of understanding of the non-sound aspects of filmmaking. Unlike editors who cut effects, backgrounds or Foley, a dialogue editor's work is directly affected by what has gone on before. How a film was shot, recorded and edited will dramatically influence the dialogue editing process. Much of this book, then, deals with things which at first glance don't appear to be dialogue. You will find overviews of film picture and sound postproduction--film, tape, NTSC, PAL, 24p, and HD. There are summaries of film picture editing, OMF manipulation, and ADR management.* A veteran sound editor shows you how to produce a flawless dialogue track* Covers organization and time management so you can work efficiently* Must-have information for sound editors, dialogue editors, and assistant editors"--Publisher description.
588			_aMachine converted from AACR2 source record.
650		0	_aMotion pictures _xSound effects _9321139
650		0	_aSound motion pictures _9321143
907			_a.b11214703 _b26-03-18 _c27-10-15
998			_ab _ac _b06-04-16 _cm _da _feng _gne _h0
945			_a777.55 PUR _g1 _iA429984B _j0 _lcmain _o- _p$49.27 _q- _r- _s- _t0 _u0 _v0 _w0 _x0 _y.i12561605 _z29-10-15
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999			_c1174843 _d1174843