000 | 01957cam a22003858a 4500 | ||
---|---|---|---|
005 | 20221101193054.0 | ||
008 | 070418s2007 enk b 001 0 eng | ||
010 | _a 2006011583 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a0415972795 (hardback : alk. paper) | ||
020 | _a0415972809 (pbk. : alk. paper) | ||
035 | _a(ATU)b11203298 | ||
035 | _a(DLC) 2006011583 | ||
035 | _a(OCoLC)66527041 | ||
040 |
_aDLC _cDLC _dDLC _dOrLoB-B |
||
042 | _apcc | ||
050 | 0 | 0 |
_aGV1787 _b.S674 2006 |
082 | 0 | 0 |
_a792.8086/6409 _222 |
100 | 1 |
_aStoneley, Peter. _91061584 |
|
245 | 1 | 2 |
_aA queer history of the ballet / _cPeter Stoneley. |
264 | 1 |
_aAbingdon, Oxon ; _aNew York : _bRoutledge, _c2007. |
|
300 | _ax, 206 p. | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_g1. _tComponents : spaces, bodies, movement -- _g2. _tNuns and fairies -- _g3. _tSwans -- _g4. _tQueer modernity -- _g5. _tNew York and the 'closed shop' -- _g6. _tThe prima and her fans -- _g7. _tDance of the sailors -- _tConclusion : traces. |
520 | 1 | _a"A Queer History of the Ballet focuses on how, as makers and as audiences, queer men and women have helped to develop many of the texts, images, and legends of the ballet. Further, the book explores the ways in which, from the nineteenth century into the twentieth, ballet has been a means of conjuring homosexuality - of enabling some degree of expression and visibility for people who were otherwise declared illegal and obscene."--BOOK JACKET. | |
650 | 0 |
_aBallet _xHistory _9370705 |
|
650 | 0 |
_aHomosexuality and dance _9313243 |
|
650 | 0 |
_aHomosexuality in dance _9313242 |
|
650 | 0 |
_aSex in dance _9323948 |
|
650 | 0 |
_aDance _xSocial aspects _9316455 |
|
907 |
_a.b11203298 _b03-10-17 _c27-10-15 |
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942 | _cB | ||
945 |
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999 |
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