000 | 03227cam a2200433 i 4500 | ||
---|---|---|---|
005 | 20211104072107.0 | ||
008 | 070323s2007 nyua b 001 0 eng d | ||
010 | _a 2006031350 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a0415971128 | ||
020 | _a9780415971126 | ||
020 | _a0415971136 | ||
020 | _a9780415971133 | ||
035 | _a(ATU)b11202075 | ||
035 | _a(OCoLC)71790025 | ||
035 | _a(DLC) 2006031350 | ||
040 |
_aDLC _beng _erda _dATU |
||
043 | _an-us--- | ||
050 | 0 | 0 |
_aML3534 _b.W35 2007 |
082 | 0 | 0 |
_a781.640820973 _222 |
100 | 1 |
_aWarwick, Jacqueline C., _d1969- _eauthor. _9432218 |
|
245 | 1 | 0 |
_aGirl groups, girl culture : _bpopular music and identity in the 1960s / _cJacqueline Warwick. |
264 | 1 |
_aNew York : _bRoutledge, _c[2007] |
|
264 | 4 | _c©2007 | |
300 |
_axiv, 271 pages : _billustrations ; _c24 cm |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
504 | _aIncludes bibliographical references (pages 247-261) and index. | ||
505 | 0 | 0 |
_gPart I. _tGirl talk: _g1. _tThe emerging girl group sound -- _g2. _tThe voice of the girl -- _tPart II. _tA brand new dance now: _g3. _tEmbodying girlness -- _g4. _tRestraint and violence -- _g5. _tUniformity and masquerade -- _gPart III. _tHe makes me say things I don't want to say: _g6. _tRecord producers and the politics of production -- _g7. _tCarole King and Ellie Greenwich -- _g8. _tUp against the wall of sound -- _gPart IV. _tLook here girls, and take this advice: _g9. _tRespectability versus rock 'n' roll -- _g10. _tMotown and the politics of crossover success -- _g11. _tMothers and daughters -- _gPart V. _tOut in the streets: _g12. _tGroup identity and public space -- _g13. _tRebellion and girldom -- _g14. _tGirl groups, the road, and public record. |
520 | _a""Then He Kissed Me"... "He's A Rebel"... "Chains"... "Stop! In the Name of Love" -- these songs capture the spirit of an era and an image of "girlhood" in post-World War II America that still reverberates today. While there were over 1500 girl groups recorded in the '60s--including key hitmakers like the Ronettes, the Supremes, and the Shirelles--studies of girl-group music that address race, gender, class, and sexuality have only just begun to appear. Warwick is the first writer to address '60s girl group music from the perspective of its most significant audience--teenage girls--drawing on current research in psychology and sociology to explore the important place of this repertoire in the emotional development of young girls of the baby boom generation. Girl Groups, Girl Culture will stand as a landmark study of this important pop music and cultural phenomenon. It promises to be a classic work in American musicology and cultural studies."--Publisher description. | ||
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aRock music _y1961-1970 _xHistory and criticism _9566543 |
|
650 | 0 |
_aGirl groups (Musical groups) _xHistory and criticism _9645174 |
|
907 |
_a.b11202075 _b26-03-18 _c27-10-15 |
||
998 |
_ab _ac _b06-04-16 _cm _da _feng _gnyu _h0 |
||
945 |
_a781.640820973 WAR _g1 _iA372795B _j0 _lcmain _o- _p$133.24 _q- _r- _s- _t0 _u8 _v1 _w0 _x1 _y.i12568806 _z29-10-15 |
||
942 | _cB | ||
999 |
_c1173911 _d1173911 |