000 | 01926cam a2200397 i 4500 | ||
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005 | 20211103225618.0 | ||
008 | 070511s2007 enka b 001 0 eng d | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0745631622 _qhbk. |
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020 |
_a9780745631622 _qhbk. |
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020 |
_a0745631630 _qpbk. |
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020 |
_a9780745631639 _qpbk. |
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035 | _a(ATU)b11201939 | ||
035 | _a(OCoLC)76935971 | ||
040 |
_aOCoLC _beng _erda _dATU |
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050 | 4 |
_aML3470 _b.L66 2007 |
|
082 | 0 | 4 |
_a306.4842 _222 |
100 | 1 |
_aLonghurst, Brian, _d1956- _eauthor. _9393473 |
|
245 | 1 | 0 |
_aPopular music and society / _cBrian Longhurst. |
250 | _aSecond edition. | ||
264 | 1 |
_aCambridge, UK ; _aMalden, MA : _bPolity, _c2007. |
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300 |
_axv, 304 pages : _billustrations ; _c26 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aPrevious ed.: Oxford: Polity, 1995. | ||
504 | _aIncludes bibliographical references (pages 267-287) and index. | ||
505 | 0 | 0 |
_tList of Figures -- _tList of Tables -- _tList of Boxes -- _tAcknowledgements -- _tIntroduction -- _g1. _tArguments and Framework -- _gPt. I. _tProduction -- _g2. _tThe Pop Music Industry -- _g3. _tThe Social Production of Music -- _gPt. II. _tText -- _g4. _tHistory, Politics and Sexuality -- _g5. _tBlack Music -- _g6. _tTexts and Meaning -- _gPt. III. _tAudience -- _g7. _tEffects, Audiences and Subcultures -- _g8. _tFans, Production and Consumption -- _tConclusion -- _tFurther Reading -- _tReferences and Bibliography -- _tIndex. |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aPopular music _xHistory and criticism _9370579 |
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650 | 0 |
_aPopular music _xSocial aspects _9629853 |
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907 |
_a.b11201939 _b11-07-17 _c27-10-15 |
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998 |
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945 |
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942 | _cB | ||
999 |
_c1173898 _d1173898 |