000 02218cam a22003138a 4500
005 20211103120324.0
008 061114s2007 nyu b 001 0 eng
010 _a 2006006443
011 _aBIB MATCHES WORLDCAT
020 _a0415340098 (hardback : alk. paper)
020 _a0415340101 (pbk. : alk. paper)
035 _a(ATU)b11180857
035 _a(OCoLC)910293049
040 _aDLC
_cDLC
_dDLC
_dOrLoB-B
082 0 0 _a709.04
_222
100 1 _aDyer, Richard,
_d1945-
_9390252
245 1 0 _aPastiche /
_cRichard Dyer.
264 1 _aNew York :
_bRoutledge,
_c2007.
300 _a222 p.
504 _aIncludes bibliographical references and index.
505 0 0 _g1.
_tPastiche and company --
_g2.
_tPastiche called pastiche --
_g3.
_tThe pastiche within --
_g4.
_tPastiche, genre, history --
_g5.
_tThe point of pastiche --
_gApp. 1.
_tMarcel Proust : ' "The Lemoine affair" by Gustave Flaubert' --
_gApp. 2.
_tNutcracker productions.
520 1 _a"Richard Dyer's Pastiche is a study of the poetics and politics of this widely used, seldom examined term. Dyer argues that while pastiche can be used to describe works which contain montage or collage, it can also be used to describe works which are knowing imitations of previous works. Considering first of all the many things the term is used to refer to, the book then focuses on pastiche as a term to describe imitations that are meant to be understood and appreciated as imitations." "Dyer argues for the value of pastiche as a practice that cuts through some of the commonplaces of critical discussion, showing that a work can be critical of something without having to be paradocally distant from it, able to acknowledge the history of its own emotional effects without in the process ceasing to be moving. Pastiche is a key concept within film and cultural studies, and Dyer's text is the first full study of the term and its usage."--BOOK JACKET.
650 0 _aPasticcio in art
_9373154
650 0 _aArts, Modern
_9314168
907 _a.b11180857
_b03-10-17
_c27-10-15
998 _a(2)b
_a(2)c
_b06-04-16
_cm
_da
_feng
_gnyu
_h0
945 _a709.04 DYE
_g1
_iA372038B
_j0
_lcmain
_o-
_p$138.32
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_y.i12526174
_z29-10-15
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999 _c1172323
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