| 000 | 01930cam a22003138a 4500 | ||
|---|---|---|---|
| 005 | 20211105032335.0 | ||
| 008 | 061024s2006 nyu bd 001 0 eng | ||
| 010 | _a 2006011415 | ||
| 011 | _aBIB MATCHES WORLDCAT | ||
| 020 | _a0415319765 (hardback : alk. paper) | ||
| 020 | _a0415319773 (pbk. : alk. paper) | ||
| 035 | _a(ATU)b11180602 | ||
| 035 | _a(DLC) 2006011415 | ||
| 035 | _a(OCoLC)67383433 | ||
| 040 |
_aDLC _cDLC _dDLC _dOrLoB-B |
||
| 082 | 0 | 0 |
_a709 _222 |
| 100 | 1 |
_aHarris, Jonathan _q(Jonathan P.) _9504159 |
|
| 245 | 1 | 0 |
_aArt history : _bthe key concepts / _cJonathan Harris. |
| 264 | 1 |
_aNew York, NY : _bRoutledge, _c2006. |
|
| 300 | _axiv, 346 p. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 1 | _a"Art History: The Key Concepts offers a systematic, reliable, accessible, and challenging reference guide to the disciplines of art history and visual culture. Containing entries on over 200 terms integral to the historical and theoretical study of art, design, and culture in general, Art History: The Key Concepts is an indispensable source of knowledge for all students, scholars, and teachers. Each entry contains a succinct definition, an exploration of its history, use, and significance, and suggestions for further reading. Entries include: abstract expressionism; epoch; hybridity; semiology; and zeitgeist." "Through extended cross-referencing, Art History: The Key Concepts builds a radical intellectual synthesis for understanding and teaching art, art history, and visual culture."--BOOK JACKET. | |
| 650 | 0 |
_aArt _xHistory _vDictionaries _9691869 |
|
| 856 | 4 | 1 |
_3Table of contents _uhttp://www.loc.gov/catdir/toc/ecip0611/2006011415.html |
| 907 |
_a.b11180602 _b10-06-19 _c27-10-15 |
||
| 998 |
_a(3)b _a(3)c _b06-04-16 _cm _da _feng _gnyu _h0 |
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| 945 |
_a709 HAR _g1 _iA372097B _j0 _lcmain _o- _p$126.78 _q- _r- _s- _t0 _u20 _v1 _w2 _x1 _y.i12524815 _z29-10-15 |
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| 942 | _cB | ||
| 999 |
_c1172303 _d1172303 |
||