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005 | 20221101192246.0 | ||
008 | 061103s2006 enkaf b 001 0 eng d | ||
010 | _a 2005037730 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0754640027 _qhardback (alk. paper) |
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020 |
_a9780754640028 _qhardback (alk. paper) |
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035 | _a(ATU)b11180559 | ||
035 | _a(DLC) 2005037730 | ||
035 | _a(OCoLC)62755602 | ||
040 |
_aDLC _beng _erda _dATU |
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042 | _apcc | ||
043 | _ae-uk--- | ||
050 | 0 | 0 |
_aNX180.S6 _bV47 2006 |
082 | 0 | 0 |
_a701.03094109045 _222 |
245 | 0 | 0 |
_aVisual culture and decolonisation in Britain / _cedited by Simon Faulkner and Anandi Ramamurthy. |
264 | 1 |
_aAldershot, England ; _aBurlington, VT : _bAshgate, _c[2006] |
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264 | 4 | _c©2006 | |
300 |
_axii, 277 pages, 8 unnumbered pages of plates : _billustrations (some colour) ; _c25 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 | _aBritish art and visual culture since 1750, new readings | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_g1. _t'Festering Britain' : the 1951 festival of Britain, decolonisation and the representation of the commonwealth / _rJo Littler -- _g2. _tImages of industrialisation in empire and commonwealth during the shift to neo-colonialism / _rAnandi Ramamurthy -- _g3. _tLate colonial exoticism : John Minton's pictures of Jamaica, 1950-1952 / _rSimon Faulkner -- _g4. _tFrancis Newton Souza and Aubrey Williams : entwined art histories at the end of empire / _rLeon Wainwright -- _g5. _tA journey through the imperial gaze : Birmingham's photographic collections and its Caribbean nexus / _rSandra Courtman -- _g6. _t'Can Whiskey come too?' : records of family and friendship in 1960s Malawi / _rPatricia Holland and Emma Sandon -- _g7. _t'There'll always be an England' : representations of colonial wars and immigration, 1948-1968 / _rWendy Webster -- _g8. _tCasting a giant shadow : the appropriation of colonial imagery in three pro-Zionist films / _rRichard Farrow -- _g9. _tFragments in the history of the visual culture of anti-colonial struggle / _rHakim Adi and Anandi Ramamurthy -- _tAfterword : 'ways of seeing' / _rBill Schwarz. |
520 | 1 | _a"Visual Culture and Decolonisation in Britain provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres - art, film, advertising, photography, news reports and ephemera - represented and contributed to the political and social struggles over Empire and decolonisation during the mid-twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and 'racial' ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance."--BOOK JACKET. | |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aArts and society _zGreat Britain _9640036 |
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650 | 0 |
_aDecolonization in art _zGreat Britain _9653519 |
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650 | 0 |
_aArts, British _y20th century _9771285 |
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700 | 1 |
_aFaulkner, Simon, _d1967- _eeditor. _9431249 |
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700 | 1 |
_aRamamurthy, Anandi, _eeditor. _91047950 |
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830 | 0 |
_aBritish art and visual culture since 1750, new readings. _91057530 |
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