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008 061103s2006 enkaf b 001 0 eng d
010 _a 2005037730
011 _aBIB MATCHES WORLDCAT
020 _a0754640027
_qhardback (alk. paper)
020 _a9780754640028
_qhardback (alk. paper)
035 _a(ATU)b11180559
035 _a(DLC) 2005037730
035 _a(OCoLC)62755602
040 _aDLC
_beng
_erda
_dATU
042 _apcc
043 _ae-uk---
050 0 0 _aNX180.S6
_bV47 2006
082 0 0 _a701.03094109045
_222
245 0 0 _aVisual culture and decolonisation in Britain /
_cedited by Simon Faulkner and Anandi Ramamurthy.
264 1 _aAldershot, England ;
_aBurlington, VT :
_bAshgate,
_c[2006]
264 4 _c©2006
300 _axii, 277 pages, 8 unnumbered pages of plates :
_billustrations (some colour) ;
_c25 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aBritish art and visual culture since 1750, new readings
504 _aIncludes bibliographical references and index.
505 0 0 _g1.
_t'Festering Britain' : the 1951 festival of Britain, decolonisation and the representation of the commonwealth /
_rJo Littler --
_g2.
_tImages of industrialisation in empire and commonwealth during the shift to neo-colonialism /
_rAnandi Ramamurthy --
_g3.
_tLate colonial exoticism : John Minton's pictures of Jamaica, 1950-1952 /
_rSimon Faulkner --
_g4.
_tFrancis Newton Souza and Aubrey Williams : entwined art histories at the end of empire /
_rLeon Wainwright --
_g5.
_tA journey through the imperial gaze : Birmingham's photographic collections and its Caribbean nexus /
_rSandra Courtman --
_g6.
_t'Can Whiskey come too?' : records of family and friendship in 1960s Malawi /
_rPatricia Holland and Emma Sandon --
_g7.
_t'There'll always be an England' : representations of colonial wars and immigration, 1948-1968 /
_rWendy Webster --
_g8.
_tCasting a giant shadow : the appropriation of colonial imagery in three pro-Zionist films /
_rRichard Farrow --
_g9.
_tFragments in the history of the visual culture of anti-colonial struggle /
_rHakim Adi and Anandi Ramamurthy --
_tAfterword : 'ways of seeing' /
_rBill Schwarz.
520 1 _a"Visual Culture and Decolonisation in Britain provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres - art, film, advertising, photography, news reports and ephemera - represented and contributed to the political and social struggles over Empire and decolonisation during the mid-twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and 'racial' ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance."--BOOK JACKET.
588 _aMachine converted from AACR2 source record.
650 0 _aArts and society
_zGreat Britain
_9640036
650 0 _aDecolonization in art
_zGreat Britain
_9653519
650 0 _aArts, British
_y20th century
_9771285
700 1 _aFaulkner, Simon,
_d1967-
_eeditor.
_9431249
700 1 _aRamamurthy, Anandi,
_eeditor.
_91047950
830 0 _aBritish art and visual culture since 1750, new readings.
_91057530
907 _a.b11180559
_b03-10-17
_c27-10-15
942 _cB
945 _a701.03094109045 VIS
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998 _ab
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_b06-04-16
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