000 | 02071cam a22003974i 4500 | ||
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005 | 20221101191312.0 | ||
008 | 060811s2005 nyua b 001 0 eng d | ||
010 | _a 2004101101 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a1563673495 | ||
020 | _a9781563673498 | ||
035 | _a(ATU)b11154767 | ||
035 | _a(DLC) 2004101101 | ||
035 | _a(OCoLC)56727062 | ||
040 |
_aDLC _beng _erda _cDLC _dDLC _dOrLoB-B _dATU |
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042 | _apcc | ||
050 | 0 | 0 |
_aTS171.4 _b.C35 2005 |
082 | 0 | 0 |
_a745.2 _222 |
100 | 1 |
_aCaplan, Ralph, _eauthor. _91059750 |
|
245 | 1 | 0 |
_aBy design : _bwhy there are no locks on the bathroom doors in the Hotel Louis XIV and other object lessons / _cRalph Caplan. |
250 | _aSecond edition. | ||
264 | 1 |
_aNew York : _bFairchild Publications, _c[2005] |
|
264 | 4 | _c©2005 | |
300 |
_axx, 267 pages : _billustrations (some colour) ; _c23 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_g1. _tThe possibilities of design : the misplaced art of making things right -- _g2. _tThe professional emergence : where industrial designers came, and are coming from -- _g3. _tThe way things mean : what goes on between us and our artifacts -- _g4. _tThe prop : what chairs are for -- _g5. _tA pride of camels : we are all designers -- _g6. _tSuitable for framing : is design art? -- _g7. _tThe design of possibilities : the shift from object to situation -- _g8. _tMaking connections : the designer as universal joint : object lessons in the work of Charles and Ray Eames -- _g9. _tThe more things change, the more we stay the same : design and society respond to change and to each other. |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aIndustrial design _9316602 |
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907 |
_a.b11154767 _b20-03-18 _c27-10-15 |
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942 | _cB | ||
945 |
_a745.2 CAP _g1 _iA406497B _j0 _lcmain _o- _p$68.75 _q- _r- _s- _t0 _u13 _v1 _w0 _x1 _y.i12469324 _z29-10-15 |
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998 |
_ab _ac _b20-03-18 _cm _da _feng _gnyu _h0 |
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999 |
_c1170349 _d1170349 |