000 05735cam a2200409 i 4500
005 20221109193849.0
008 060710s2006 enka f b 000 0 eng d
011 _aBIB MATCHES WORLDCAT
020 _a1412901510
_qset
_qcased
020 _a9781412901512
_qset
_qcased
035 _a(ATU)b1113091x
035 _a(OCoLC)71345097
040 _aBNB
_beng
_erda
_dATU
042 _aukblsr
082 0 4 _a300.72
_222
245 0 0 _aVisual research methods /
_cedited by Peter Hamilton.
264 1 _aLondon :
_bSAGE,
_c2006.
300 _a4 volumes :
_billustrations ;
_c24 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aSage benchmarks in social research methods
504 _aIncludes bibliographical references.
505 0 0 _tIntroduction(Peter Hamilton ) --
_tPanopticon --
_tOr the Inspection-House(Jeremy Bentham) --
_tContaining the Idea of a New Principle Of Construction Personal Identification and Description(Francis Galton ) --
_tThe Work of Art in the Age of Mechanical Reproduction(Walter Benjamin ) --
_tFirst Principles of Documentary(John Grierson ) --
_tIcon, Index and Symbol(C S Peirce ) --
_tStudies in Iconology(Erwin Panofsky ) --
_tArt as Evidence(Jules Prown ) --
_tThe Objectivity of Artistic Values(Raymond Boudon ) --
_tVisual Sociology, Documentary Photography and Photojournalism(Howard S Becker) --
_tIt's (Almost) All a Matter of Context The Identification of the Criminal Classes by the Anthropometrical Method(A Bertillon ) --
_tOn the Authority of the Image(Doug Harper) --
_tVisual Sociology at the Crossroads Tracing the Criminal(Neil Davie ) --
_tEncoding and Decoding(Stuart Hall ) --
_tThe Family of Man(Roland Barthes ) --
_tThe centrality of the Eye in Western Culture(Chris Jenks ) --
_tRegarding the Pain of Others(Susan Sontag ) --
_tThe Burden of Representation(John Tagg) --
_tPour en Finir avec la Profondeur de Champ(Andre Bazin ) --
_tReading an Archive(Allan Sekula ) --
_tVisual Pleasure and Narrative Cinema(Laura Mulvey ) --
_tStored Virtue(Tony Bennett) --
_tMemory, the Body and the Evolutionary Museum The Medium Is the Massage(Marshall McLuhan) --
_tAn Inventory of Effects The Decisive Moment - Henri Cartier-Bresson --
_tOn the Museum's Ruins(Douglas Crimp ) --
_tThree-Dimensional Visual Data(Emmison and Smith ) --
_tVisualizing Ethnography(Sarah Pink) --
_tTransforming the Anthropological Vision Visual Anthropology is Not Ethnographic Film(Marcus Banks) --
_tThe Visual as Material Culture Photography and Anthropology(Elizabeth Edwards ) --
_tBalinese Character(Bateson and Mead) --
_tA Photographic Analysis Photography and Sociology(Howard Becker ) --
_tVisual Anthropology(John Collier ) --
_tThe Self In the Other(Jay Ruby) --
_tEthnographic Film, Surrealism, Politics Working Knowledge(Douglas Harper ) --
_tA Seventh Man(John Berger and Jean Mohr Visual ) --
_tAnthropology(Jay Ruby ) --
_tTechnologies of Realism? Ethnographic Uses of Photography and Film(G W H Smith and M S Ball) --
_tA Poetry of the Streets?: Documenting Frenchness in an Era of Reconstruction: Humanist Photography 1935-1960(Peter Hamilton ) --
_tPhotography and the Performance of Histories(Elizabeth Edwards ) --
_tPhotographs in Social Research(Elizabeth Chaplin) --
_tThe Residents of Gordondale Road What Constitutes an Image-based Methodology?(Jon Prosser ) --
_tVisual Sociology and its Relationship to Meaning, Representation and Information(Jon Wagner Deceptive ) --
_tImages(Pierre Sorlin) --
_tSocial Science and the Puzzle of the Moving Picture The Uses of Documentary(Stuart Franklin) --
_tPhotography, Evidence and Research Photography(Nigel Warburton) --
_tEvidence and Imagination The Evidentiary Problematic of Home Media(Richard Chalfen ) --
_tText, Practice, Numinosity(Gillian Rose) --
_tMethodologies for and against Visual Images Photographs within the Sociological Research Process(J Prosser with D Schwartz ) --
_tTo Tell the Truth(Dona Schwartz) --
_tCodes of Objectivity in Photojournalism Gender Advertisements(Erving Goffman ) --
_tSnapshots Sub-Species(Georg Simmel ) --
_tSnap-Shots of Live Theatre(Robin Riley and Elizabeth Manias) --
_tThe Use of Photography to Research Governance in Operating Room Nursing Picturing Labour(Eric Margolis) --
_tA Visual Ethnography of the Coal Mine Labour Process Grounding Visual Sociology Research in Shooting Scripts(Chuck Suchar ) --
_tTelling Stories about Photography(Darren Newbury) --
_tThe Language and Imagery of Class in the Work of Humphrey Spender and Paul Reas Documentary and the Aesthetics of Reference(John Corner ) --
_tCold Eye (Review of Pierre Bourdieu on Photography)(Julian Stallabras ) --
_tReview of 'Photography: A Middle Brow Art'(E Neiva ) --
_tDocumentary Expression and Thirties America(William Stott ) --
_tRepresenting Representations:The Ethics of Filming at Ground Zero(Veronica Miriam Davidov).
588 _aMachine converted from AACR2 source record.
650 0 _aVisual sociology
_9328045
650 0 _aSocial sciences
_xResearch.
_9342515
700 1 _aHamilton, Peter,
_d1947-
_eeditor.
_9429219
830 0 _aSage benchmarks in social research methods.
_91045776
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