000 | 05735cam a2200409 i 4500 | ||
---|---|---|---|
005 | 20221109193849.0 | ||
008 | 060710s2006 enka f b 000 0 eng d | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a1412901510 _qset _qcased |
||
020 |
_a9781412901512 _qset _qcased |
||
035 | _a(ATU)b1113091x | ||
035 | _a(OCoLC)71345097 | ||
040 |
_aBNB _beng _erda _dATU |
||
042 | _aukblsr | ||
082 | 0 | 4 |
_a300.72 _222 |
245 | 0 | 0 |
_aVisual research methods / _cedited by Peter Hamilton. |
264 | 1 |
_aLondon : _bSAGE, _c2006. |
|
300 |
_a4 volumes : _billustrations ; _c24 cm. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
490 | 1 | _aSage benchmarks in social research methods | |
504 | _aIncludes bibliographical references. | ||
505 | 0 | 0 |
_tIntroduction(Peter Hamilton ) -- _tPanopticon -- _tOr the Inspection-House(Jeremy Bentham) -- _tContaining the Idea of a New Principle Of Construction Personal Identification and Description(Francis Galton ) -- _tThe Work of Art in the Age of Mechanical Reproduction(Walter Benjamin ) -- _tFirst Principles of Documentary(John Grierson ) -- _tIcon, Index and Symbol(C S Peirce ) -- _tStudies in Iconology(Erwin Panofsky ) -- _tArt as Evidence(Jules Prown ) -- _tThe Objectivity of Artistic Values(Raymond Boudon ) -- _tVisual Sociology, Documentary Photography and Photojournalism(Howard S Becker) -- _tIt's (Almost) All a Matter of Context The Identification of the Criminal Classes by the Anthropometrical Method(A Bertillon ) -- _tOn the Authority of the Image(Doug Harper) -- _tVisual Sociology at the Crossroads Tracing the Criminal(Neil Davie ) -- _tEncoding and Decoding(Stuart Hall ) -- _tThe Family of Man(Roland Barthes ) -- _tThe centrality of the Eye in Western Culture(Chris Jenks ) -- _tRegarding the Pain of Others(Susan Sontag ) -- _tThe Burden of Representation(John Tagg) -- _tPour en Finir avec la Profondeur de Champ(Andre Bazin ) -- _tReading an Archive(Allan Sekula ) -- _tVisual Pleasure and Narrative Cinema(Laura Mulvey ) -- _tStored Virtue(Tony Bennett) -- _tMemory, the Body and the Evolutionary Museum The Medium Is the Massage(Marshall McLuhan) -- _tAn Inventory of Effects The Decisive Moment - Henri Cartier-Bresson -- _tOn the Museum's Ruins(Douglas Crimp ) -- _tThree-Dimensional Visual Data(Emmison and Smith ) -- _tVisualizing Ethnography(Sarah Pink) -- _tTransforming the Anthropological Vision Visual Anthropology is Not Ethnographic Film(Marcus Banks) -- _tThe Visual as Material Culture Photography and Anthropology(Elizabeth Edwards ) -- _tBalinese Character(Bateson and Mead) -- _tA Photographic Analysis Photography and Sociology(Howard Becker ) -- _tVisual Anthropology(John Collier ) -- _tThe Self In the Other(Jay Ruby) -- _tEthnographic Film, Surrealism, Politics Working Knowledge(Douglas Harper ) -- _tA Seventh Man(John Berger and Jean Mohr Visual ) -- _tAnthropology(Jay Ruby ) -- _tTechnologies of Realism? Ethnographic Uses of Photography and Film(G W H Smith and M S Ball) -- _tA Poetry of the Streets?: Documenting Frenchness in an Era of Reconstruction: Humanist Photography 1935-1960(Peter Hamilton ) -- _tPhotography and the Performance of Histories(Elizabeth Edwards ) -- _tPhotographs in Social Research(Elizabeth Chaplin) -- _tThe Residents of Gordondale Road What Constitutes an Image-based Methodology?(Jon Prosser ) -- _tVisual Sociology and its Relationship to Meaning, Representation and Information(Jon Wagner Deceptive ) -- _tImages(Pierre Sorlin) -- _tSocial Science and the Puzzle of the Moving Picture The Uses of Documentary(Stuart Franklin) -- _tPhotography, Evidence and Research Photography(Nigel Warburton) -- _tEvidence and Imagination The Evidentiary Problematic of Home Media(Richard Chalfen ) -- _tText, Practice, Numinosity(Gillian Rose) -- _tMethodologies for and against Visual Images Photographs within the Sociological Research Process(J Prosser with D Schwartz ) -- _tTo Tell the Truth(Dona Schwartz) -- _tCodes of Objectivity in Photojournalism Gender Advertisements(Erving Goffman ) -- _tSnapshots Sub-Species(Georg Simmel ) -- _tSnap-Shots of Live Theatre(Robin Riley and Elizabeth Manias) -- _tThe Use of Photography to Research Governance in Operating Room Nursing Picturing Labour(Eric Margolis) -- _tA Visual Ethnography of the Coal Mine Labour Process Grounding Visual Sociology Research in Shooting Scripts(Chuck Suchar ) -- _tTelling Stories about Photography(Darren Newbury) -- _tThe Language and Imagery of Class in the Work of Humphrey Spender and Paul Reas Documentary and the Aesthetics of Reference(John Corner ) -- _tCold Eye (Review of Pierre Bourdieu on Photography)(Julian Stallabras ) -- _tReview of 'Photography: A Middle Brow Art'(E Neiva ) -- _tDocumentary Expression and Thirties America(William Stott ) -- _tRepresenting Representations:The Ethics of Filming at Ground Zero(Veronica Miriam Davidov). |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aVisual sociology _9328045 |
|
650 | 0 |
_aSocial sciences _xResearch. _9342515 |
|
700 | 1 |
_aHamilton, Peter, _d1947- _eeditor. _9429219 |
|
830 | 0 |
_aSage benchmarks in social research methods. _91045776 |
|
907 |
_a.b1113091x _b03-10-17 _c27-10-15 |
||
942 | _cB | ||
945 |
_a300.72 VIS _cVol. 1 _g1 _iA418877B _j0 _lcmain _o- _p$456.27 _q- _r- _s- _t0 _u13 _v1 _w0 _x2 _y.i1243209x _z29-10-15 |
||
945 |
_a300.72 VIS _cVol. 2 _g1 _iA418878B _j0 _lcmain _o- _p$0.00 _q- _r- _s- _t0 _u6 _v0 _w0 _x0 _y.i12432106 _z29-10-15 |
||
945 |
_a300.72 VIS _cVol. 3 _g1 _iA418879B _j0 _lcmain _o- _p$0.00 _q- _r- _s- _t0 _u4 _v0 _w0 _x0 _y.i12432118 _z29-10-15 |
||
945 |
_a300.72 VIS _cVol. 4 _g1 _iA418880B _j0 _lcmain _o- _p$0.00 _q- _r- _s- _t0 _u4 _v0 _w0 _x0 _y.i1243212x _z29-10-15 |
||
998 |
_a(2)b _a(2)c _b06-04-16 _cm _da _feng _genk _h0 |
||
999 |
_c1168531 _d1168531 |