000			02998cam a22004334i 4500
005			20221101190328.0
008			050103s2004 maua b 001 0 eng d
010			_a 2004044957
011			_aBIB MATCHES WORLDCAT
020			_a026202571X _qalk. paper
020			_a9780262025713 _qalk. paper
035			_a(ATU)b1112569x
035			_a(DLC) 2004044957
035			_a(OCoLC)54529079
040			_aDLC _beng _erda _dAU _dATU
042			_apcc
050	0	0	_aN6494.M64 _bB74 2004
082	0	0	_a759.06 _222
100	1		_aBrennan, Marcia, _eauthor. _91058658
245	1	0	_aModernism's masculine subjects : _bMatisse, the New York school and post-painterly abstraction / _cMarcia Brennan.
264		1	_aCambridge, Mass. ; _aLondon, Eng. : _bMIT Press, _c2004.
300			_axi, 213 pages : _billustrations (some colour) ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 192-205) and index.
505	0	0	_tIntroduction : A "straight theory" of bourgeois pleasure in later modernist painting -- _gCh. 1. _tStill lifes and centerfolds : the negotiation of the feminine in Greenberg's Reading of Matisse -- _gCh. 2. _tFragmented bodies and canonical nudes : painting and reading de Kooning's Woman series -- _gCh. 3. _tPollock and Krasner : touching and transcending the boundaries of abstract expressionism -- _gCh. 4. _tHow formalism lost its body but kept its gender : Frankenthaler, Louis, and Noland in the Sixties.
520	1		_a"In the era of The Man in the Gray Flannel Suit - when social pressures on men to conform threatened cherished notions of masculine vitality, freedom, and authenticity - modernist paintings came to be seen as metaphorical embodiments of both idealized and highly conflicted conceptions of masculine selfhood. In Modernism's Masculine Subjects, Marcia Brennan traces the formalist critical discourses in which work by such artists as Henri Matisse, Willem de Kooning, and Jackson Pollock could stand as symbolic representations that at once challenged and reproduced such prevailing cultural conceptions of masculinity. Rejecting the typical view of formalism's exclusive engagement with essentialized and purified notions of abstraction and its disengagement from issues of gender and embodiment, Brennan explores the ways in which these categories were intertwined, historically and theoretically."--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
650		0	_aModernism (Art) _9320992
650		0	_aFormalism (Art) _9337859
650		0	_aNew York school of art _9321407
650		0	_aGender identity in art _9372273
650		0	_aPainting, Modern _y20th century _9321859
907			_a.b1112569x _b20-03-18 _c27-10-15
942			_cB
945			_a759.06 BRE _g1 _iA405552B _j0 _lcmain _o- _p$45.54 _q- _r- _s- _t0 _u14 _v0 _w0 _x0 _y.i12436586 _z29-10-15
998			_a(2)b _a(2)c _b20-03-18 _cm _da _feng _gmau _h0
999			_c1168176 _d1168176