000			03548cam a22004454i 4500
005			20221101190218.0
008			060620s2005 ncu b 001 0beng d
010			_a 2005022639
011			_aBIB MATCHES WORLDCAT
020			_a0786423501 _qsoftcover (alk. paper)
020			_a9780786423507 _qsoftcover (alk. paper)
035			_a(ATU)b11123345
035			_a(OCoLC)61261230
040			_aDLC _beng _erda _cDLC _dBAKER _dC#P _dUKM _dBTCTA _dYDXCP _dHEBIS _dDEBBG _dOCLCQ _dOCL _dATU
042			_apcc
050	0	0	_aGV1785.C76 _bS87 2005
082	0	0	_a792.8 _222
100	1		_aStrauss, Marc, _eauthor. _91057561
245	1	4	_aThe dance criticism of Arlene Croce : _barticulating a vision of artistry, 1973-1987 / _cMarc Raymond Strauss.
264		1	_aJefferson, N.C. : _bMcFarland, _c[2005]
264		4	_c©2005
300			_axii, 196 pages ; _c23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 181-187) and index.
505	0		_aIntroduction -- Historical foundations -- Arlene Croce's professional heritage -- The New Yorker -- The ethics of dance criticism -- Theoretical models from literary analysis -- Croce's use of rhetorical devices -- Croce-as-audience and Croce-as-critic -- Arlene Croce's aesthetic framework -- The visceral vitality of dance -- Summary and conclusions -- --
505	0	0	_g1. _tHistorical foundations -- _tEssay : "Joffrey jazz" -- _g2. _tArlene Croce's professional heritage -- _tEssay : "Momentous" -- _g3. _tThe New Yorker -- _tEssay : "What you see is what you get" -- _g4. _tThe ethics of dance criticism -- _tEssay : "The mercists" -- _g5. _tTheoretical models from literary analysis -- _tEssay : "Think punk" -- _g6. _tCroce's use of rhetorical devices -- _tEssay : "So rare" -- _g7. _tCroce-as-audience and Croce-as-critic -- _tEssay : "Paging Mr. Astaire" -- _g8. _tArlene Croce's aesthetic framework -- _tEssay : "Mark Morris comes to town" -- _g9. _tThe visceral vitality of dance -- _tEssay : "Modern love" -- _g10. _tSummary and conclusions -- _tEssay : "Institutions" -- _gApp. _tTopics in Croce's essays (in order of frequency).
520			_a"This book explores that framework and provides an interpretive analysis of the biographical, professional and historical elements that contributed to the context of Croce's work. Topics include Croce's predecessors in artistic critique, relevant twentieth-century contemporaries and the journalistic philosophy of The New Yorker"--Provided by publisher.
520	1		_a"Through her critiques for The New Yorker, prominent dance critic Arlene Croce confirmed a classical aesthetic framework for dance, influencing contemporary critics as well as audiences. This book explores that framework and analyzes the biographical, professional and historical elements that contributed to the context of Croce's work. Topics include Croce's predecessors in dance criticism, relevant twentieth-century contemporaries and the journalistic philosophy of The New Yorker."--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
600	1	0	_aCroce, Arlene _xCriticism and interpretation.
630		0	_aNew Yorker (New York, N.Y. : 1925) _91033272
650		0	_aDance critics _9330021
650		0	_aDance criticism _9316444
907			_a.b11123345 _b20-03-18 _c27-10-15
942			_cB
945			_a792.8 STR _g1 _iA398327B _j0 _lcmain _o- _p$68.56 _q- _r- _s- _t0 _u3 _v0 _w0 _x0 _y.i12423816 _z29-10-15
998			_ab _ac _b20-03-18 _cm _da _feng _gncu _h4
999			_c1167978 _d1167978