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---|---|---|---|
005 | 20221101190214.0 | ||
008 | 060620s2006 enk b 000 0 eng | ||
010 | _a 2005028147 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a0415371562 (hardback : alk. paper) | ||
020 | _a041537247X (pbk. : alk. paper) | ||
024 | _a100427926 | ||
035 | _a(ATU)b11123199 | ||
035 | _a(OCoLC)61864151 | ||
040 | _aDLC | ||
042 | _apcc | ||
050 | 0 | 0 |
_aGV1588.6 _b.C55 2006 |
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_a792.8 _222 |
100 | 1 |
_aClaid, Emilyn. _91058525 |
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245 | 1 | 0 |
_aYes? no! maybe-- : _bseductive ambiguity in dance / _cEmilyn Claid. |
263 | _a0603 | ||
264 | 1 |
_aMilton Park, Abingdon, Oxon ; _aNew York : _bRoutledge, _c2006. |
|
300 | _ax, 245 p. | ||
504 | _aIncludes bibliographical references. | ||
505 | 0 | 0 |
_g1. _tSetting the scene -- _g2. _tX6 : a hinge in time -- _gI. _tYes? : fantasies of perfection : setting the scene for change -- _g3. _tThe upward line -- _g4. _tWatching ballet : illusion becoming real -- _g5. _tPerforming ballet : real becoming illusion -- _g6. _tClassical androgyny -- _g7. _tCracking the myth -- _g8. _tThe Oedipal narrative -- _g9. _tAn articulate silence -- _g10. _tDying to please -- _gII. _tNo! : coming down to earth as dancing subjects -- _g11. _tExpressions from the lifeworld -- _g12. _tFigures of parody -- _g13. _tSubverting tragedy -- _g14. _tFeminist battles with androgyny -- _g15. _tWithin the frame of new dance -- _g16. _tLetting go of the mirror -- _g17. _tFigures of jouissance -- _g18. _tK/no/w body of illusion : seduction in reverse -- _g19. _tDerrida's presents -- _g20. _tParallel emergences -- _g21. _tDifferent visibilities -- _g22. _tNegation of seduction -- _g23. _tThe other of the other -- _g24. _tKristeva's crunch -- _g25. _tCollective strategies -- _g26. _tThe X6 legacy -- _g27. _tDrawn to the mainstream -- _g28. _tRepertory versus project -- _g29. _tMiddle mush -- _gIII. _tMaybe ... : depth becomes surface and ambiguous points of play -- _g30. _tProcess to product -- _g31. _tFull body empty body -- _g32. _tThe chameleon -- _g33. _tBoys transcending -- _g34. _tHis look, his gaze -- _g35. _tBodies of pleasure -- _g36. _tLetting go of fear -- _g37. _tRe-figuring androgyny -- _g38. _tQueer living -- _g39. _tRe-dressing the girls -- _g40. _tEye flight. |
520 | 1 | _a"Yes? No! Maybe ... Seductive Ambiguity in Dance is a book about performing and watching dance. Using a unique combination of historical, academic and autobiographical voices it covers 50 years of British dance, from Margot Fonteyn in the 1950s to innovative contemporary practitioners such as Wendy Hustoun, Nigel Charnock, Lloyd Newson, Javier de Frutos and Fin Walker."--BOOK JACKET. | |
600 | 1 | 0 |
_aClaid, Emilyn. _91058525 |
650 | 0 |
_aDance _xSocial aspects _9316455 |
|
650 | 0 |
_aDance _xPhilosophy _9762136 |
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650 | 0 |
_aSeduction _xPsychological aspects _9785484 |
|
650 | 0 |
_aAudiences _9339717 |
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650 | 0 |
_aGender identity in dance _9330085 |
|
650 | 0 |
_aDance _zGreat Britain _xHistory _9688990 |
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_a.b11123199 _b11-07-17 _c27-10-15 |
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