000 03197cam a22004218a 4500
005 20221101190214.0
008 060620s2006 enk b 000 0 eng
010 _a 2005028147
011 _aBIB MATCHES WORLDCAT
020 _a0415371562 (hardback : alk. paper)
020 _a041537247X (pbk. : alk. paper)
024 _a100427926
035 _a(ATU)b11123199
035 _a(OCoLC)61864151
040 _aDLC
042 _apcc
050 0 0 _aGV1588.6
_b.C55 2006
082 0 0 _a792.8
_222
100 1 _aClaid, Emilyn.
_91058525
245 1 0 _aYes? no! maybe-- :
_bseductive ambiguity in dance /
_cEmilyn Claid.
263 _a0603
264 1 _aMilton Park, Abingdon, Oxon ;
_aNew York :
_bRoutledge,
_c2006.
300 _ax, 245 p.
504 _aIncludes bibliographical references.
505 0 0 _g1.
_tSetting the scene --
_g2.
_tX6 : a hinge in time --
_gI.
_tYes? : fantasies of perfection : setting the scene for change --
_g3.
_tThe upward line --
_g4.
_tWatching ballet : illusion becoming real --
_g5.
_tPerforming ballet : real becoming illusion --
_g6.
_tClassical androgyny --
_g7.
_tCracking the myth --
_g8.
_tThe Oedipal narrative --
_g9.
_tAn articulate silence --
_g10.
_tDying to please --
_gII.
_tNo! : coming down to earth as dancing subjects --
_g11.
_tExpressions from the lifeworld --
_g12.
_tFigures of parody --
_g13.
_tSubverting tragedy --
_g14.
_tFeminist battles with androgyny --
_g15.
_tWithin the frame of new dance --
_g16.
_tLetting go of the mirror --
_g17.
_tFigures of jouissance --
_g18.
_tK/no/w body of illusion : seduction in reverse --
_g19.
_tDerrida's presents --
_g20.
_tParallel emergences --
_g21.
_tDifferent visibilities --
_g22.
_tNegation of seduction --
_g23.
_tThe other of the other --
_g24.
_tKristeva's crunch --
_g25.
_tCollective strategies --
_g26.
_tThe X6 legacy --
_g27.
_tDrawn to the mainstream --
_g28.
_tRepertory versus project --
_g29.
_tMiddle mush --
_gIII.
_tMaybe ... : depth becomes surface and ambiguous points of play --
_g30.
_tProcess to product --
_g31.
_tFull body empty body --
_g32.
_tThe chameleon --
_g33.
_tBoys transcending --
_g34.
_tHis look, his gaze --
_g35.
_tBodies of pleasure --
_g36.
_tLetting go of fear --
_g37.
_tRe-figuring androgyny --
_g38.
_tQueer living --
_g39.
_tRe-dressing the girls --
_g40.
_tEye flight.
520 1 _a"Yes? No! Maybe ... Seductive Ambiguity in Dance is a book about performing and watching dance. Using a unique combination of historical, academic and autobiographical voices it covers 50 years of British dance, from Margot Fonteyn in the 1950s to innovative contemporary practitioners such as Wendy Hustoun, Nigel Charnock, Lloyd Newson, Javier de Frutos and Fin Walker."--BOOK JACKET.
600 1 0 _aClaid, Emilyn.
_91058525
650 0 _aDance
_xSocial aspects
_9316455
650 0 _aDance
_xPhilosophy
_9762136
650 0 _aSeduction
_xPsychological aspects
_9785484
650 0 _aAudiences
_9339717
650 0 _aGender identity in dance
_9330085
650 0 _aDance
_zGreat Britain
_xHistory
_9688990
907 _a.b11123199
_b11-07-17
_c27-10-15
942 _cB
945 _a792.8 CLA
_g1
_iA398582B
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998 _a(2)b
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999 _c1167967
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